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Claudia (Daphne Zuniga) worked hard and near her goal of making partner at the law firm she works at, but everyone including her sister is pushed aside during her climb to the top. A mysterious woman played by Faye Dunaway uses her magic to transport Claudia into the life she could have, including having a husband and kids. Claudia’s early goal is simply to get back to her life as a lawyer but as a little time passes, she begins to enjoy the roles of wife and mother and soon realizes she doesn’t want to go back to the old life. She knows all and sees all. Therefore, to give Claudia a rude awakening, this woman plants Claudia in a "what if" new life. In this one, Claudia is married to Bill, having given up her career, and is the mother of two adorable children. But, wait, Claudia doesn't even know how to change a diaper or pack a lunch! Also, Bill thinks she is angry about a previous fight, but just how long can she give him the cold shoulder in the bedroom? Most importantly, she gets to know her sister's point of view about the case she could have had, and her sister may be right. Please, can't she just go back to her normal life, Claudia pleads, or does she really want to? This film is in the long tradition of such flicks as Sliding Doors and 17 Again, where one can go back in time and choose a different path to pursue. Happily, its not too much of a good thing, as the film is funny, clever, and sweet. Zuniga is a great and pretty comedian while Payne is a real find, quite handsome and appealing. The rest of the cast, including Dunaway, is nice as well. The look of the film, with its well-picked costumes, sets, and art direction, is winning as is the polished script and energetic direction. Hey, Thanksgiving is coming soon, as of this writing, but even if it weren't, this is a mood-setting movie that would aid in the true meaning of the holiday.A Single, high-flying attorney Claudia (Daphne Zuniga), tops in her class at Harvard Law, is focused on one thing: her career, and making partner at her this-is-your-only-life law firm. Her drive for success has predictably made her miss countless family events, and is about to do the same with this year's Thanksgiving at her sister's (Gina Holden, playing a stay-at-home mom), when Claudia is suddenly thrust by a mysterious figure (Faye Dunaway) into an alternate reality wherein she had given up the idea of practicing law years before in favor of having a husband (Dan Payne) and two children. If this sounds familiar, maybe you saw The Christmas Clause (TV 2008). The current movie takes the basic idea of the former, resets it from Christmas to Thanksgiving, and flips the situation, i.e., instead of a mom with three kids shown what her life would be like as a successful lawyer with all the material goods she could possibly desire, here the lawyer becomes the mom and is shown how much richer her life could be if she broadened her focus and looked beyond her career as the sole purpose of her life. While both movies take a similar route to reach a common goal, this "remake" comes off much more adeptly, and while still firmly rooted in the traditional Hallmark mold and formula, "Thanksgiving" dispenses with many of the clichés which made "Christmas" merely pedestrian. The acting here is mostly good, but young Kennedi Clements as Claudia's alternate reality daughter, is a heart-stealer in this, her apparent movie debut. & Daphne is Beautiful as always. I am Happy to say this fun film, with strong family elements, family-friendly viewing, is my recommendation to watch & this one for ages twelve plus due to the language
Rohan, a young man, returns home to a bustling household in preparation for his birthday party. As the family gets caught up in the chaos of the occasion, tensions rise and arguments erupt. Feeling overwhelmed, Rohan seeks refuge in his room, only to find himself transported to a parallel universe. Here he meets Zoneout, a formidable entity who provides him with valuable insights into his predicament.
Tension mounts in the Royle household as the family contemplates the prospect of becoming fully laminated throughout. Dr Mahmoud prescribes new medication for Nana in the form of yellow tablets; coincidentally they turn out to be the same colour as the tablets that Joe was prescribed for the swelling when he got his bits stuck in his zip. Meanwhile, a mysterious ginger visitor reminds Nana of her favourite musical.
Rosa's life, a highly valued professional, is turned upside down when her grandfather Marcelino dies.
Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
It's 1997. Distorted guitars rule the world. In an aging Chinese restaurant, a father and his punk-rock son struggle with their familial roles as they realize they each desperately need something from the other.
After a migrating duck family alights on their pond with thrilling tales of far-flung places, the Mallard family embarks on a family road trip, from New England, to New York City, to tropical Jamaica.
Javier is what we have dubbed as a "husband-in-law." That is that without taking care of the care of the house and children at all, he knows exactly what needs to be done, and that he continuously collects a sum of sentences from the type: "It is that you do not organize", or "do not get nervous", you already consider that overflowing woman drowns in a glass of water. Javier will have to face the reality of dealing with five children (between four and twelve years old) when his wife decides to go on a trip and leave him alone with them. The chaotic situation that takes place at home will progressively evolve ecologically to the most absolute disaster, but at the same time it will give parents and children the opportunity to meet and enjoy themselves for the first time.
Inés, Irene and Ivonne gather at their mother's house to attend their father's funeral; they will not return until a year after for the anniversary of their father's death, and it is at that precise moment that everyone will have to face another setback.
It narrates the story of two grandmothers in the backdrop of their children, families, and an old age home.