Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
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Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
Rocky Mountain Wreckers - (Feb 26th)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Beyond the Gates - (Feb 26th)
Win or Lose - (Feb 26th)
Wildcard Kitchen - (Feb 26th)
WWE NXT - (Feb 26th)
FBI - (Feb 26th)
7 Little Johnstons - (Feb 26th)
Kitchen Nightmares - (Feb 26th)
The Rookie - (Feb 26th)
Road Rage - (Feb 26th)
Renovation Aloha - (Feb 26th)
The Real Housewives of Beverly Hills - (Feb 26th)
St. Denis Medical - (Feb 26th)
The Irrational - (Feb 26th)
Hudson and Rex - (Feb 26th)
PITINO- RED STORM RISING - (Feb 26th)
The Last Word with Lawrence ODonnell - (Feb 26th)
**An interesting film, with qualities, but it could be much better.** I think that, at this point, anyone who reasonably knows cinema already knows that Danny Boyle's films are not for all audiences. Perhaps “Slumdog Millionaire” is his most commercial film, capable of reaching more easily the general public, but we only need to think about “Trainspotting” to get an idea of how raw and intense he can be as a filmmaker. He seems to enjoy it, and there's no denying that there's a niche audience for these films. The script takes us to Edinburgh, to the apartment where three young friends live. As often happens among impoverished youth, they divide the rent between them so that they can remain there, and they are looking for a fourth companion because there is still space for another roommate. However, after about a week, the guy they have chosen is found dead next to a huge suitcase full of money. And they are left in a dilemma: should they call the police and tell them everything? After all, they didn't kill him! Or would it be better to hide the body somewhere and keep the money? They really need it… is it worth it? As you can see, the film explores the themes of greed and pettiness, friendship and the way in which something can transform the way people relate, putting an end to friendships and leading to brutal paranoia that feeds on the unconfessable fears of each one. There's something that reminds me of Alfred Hitchcock here. I believe this would be enough for the film to be interesting, but Boyle added a subplot where a group of criminals knows about the money and are looking for it, leaving a trail of bodies wherever they go. The film didn't need this, and it would have been better to invest in the central plot. The biggest problem with this film is that it is not beautiful nor does it have likable characters. On the contrary! They are petty, cynical, unsympathetic and their friendship seems artificial, forced by circumstances. However, this is exactly what the film could explore to the limit. It tries to do so, the tension gradually increases as this happens, but the sub-plot I mentioned introduces itself blatantly and ruins things a bit. In the cast, Chris Eccleston and Ewan McGregor stand out with inspired and slightly insane performances. Their characters called for this expansiveness and both knew how to rise to the challenge, although they sometimes exaggerated. Kerry Fox is not that good and just exaggerates. Boyle has style, but he is not a director skilled at guiding his cast. In addition, we have Keith Allen, who has very little to do, and Ken Stott, relegated to a secondary position and of no great interest to the plot. Technically, the film has frankly positive notes: the set is very well-thought-out, with the production looking for every means to cope with the Franciscan poverty of its budget. The cinematography is good, but not enchanting, and the camera work has its moments of creative inspiration, with original perspectives and some unusual framings. The fast pace reasonably covers up the weaknesses, making the film more fun and palatable. The ending is an effort, but the twist was predictable.
Three flatmates are having some fun recruiting a fourth to share their spacious Glasgow apartment. "Juliet" (Kerry Fox) is a doctor; "Alex" (Ewan McGregor) is a tabloid journalist and finally "David" (Christopher Eccleston) is an accountant. Despite their differences this trio quite effectively rub along together. It's the doc who first meets the enigmatic "Hugo" (Keith Allen) who convinces the gang - thanks largely to his large wad of cash - that he is their perfect fit. He disappears into his room and after a few days of radio silence, they have to break down the door for a vision of him dead on a bed with a suitcase full of loot underneath it! Should they call the police or should they do a bit of DIY body disposal and keep it all? That's the premiss as they take the latter route and find themselves amidst a series of increasingly perilous scenarios that will change them and their relationship for ever. Yes, it's totally far-fetched but the characters work well together as the simplicity of their ideal becomes compromised in a sea of mistrust, greed and kitchen knives. It's the understated Miller who steals this for me, and there's a fun contribution from Colin McCredie as their would be sharer "Cameron" and Ken Stott's policeman "McCall" who has a pretty quirky approach to policing. There are a few plot holes but they don't really matter as this amiably comedic assessment of human nature races along entertainingly for ninety minutes.
In the year 2024, the ozone layer is believed to have been destroyed, and it's up to MacLeod and Ramirez to set things right. Opposition comes from both the planet Ziest (MacLeod and Ramirez's homeworld) and a corporation profiting from the supposed lack of ozone. Also, flashbacks show the story behind MacLeod and Ramirez's exile from Ziest.
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.
A very gentle middle-aged man is married, but when he falls in love with another woman, he decides that to divorce his wife would humiliate her too much – so instead he decides to kill her.
A visiting city reporter's assignment suddenly revolves around the murder trial of a local millionaire, whom he befriends.
400 years into the future, disease has wiped out the majority of the world's population, except one walled city, Bregna, ruled by a congress of scientists. When Æon Flux, the top operative in the underground 'Monican' rebellion, is sent on a mission to kill a government leader, she uncovers a world of secrets.
A former child art prodigy and second generation petty thief arranges to buy his way out of prison to spend time with his ailing son, only to be forced to alter his plans and commit one more job for the man who financed his release.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.