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Following a series of strange murders, a group of students at a college campus set out to investigate the crimes and their seeming connection to the killer when they find out the killer is basing their crimes on urban legends and set out to stop the rampage. This is far better than its reputation would have it. Among the better features here is the fact that back when this movie came out the gimmick of using the deaths based on urban legends allowed for some pretty inventive and original kills. The opening backseat driver decapitation is a great one to open a film on, the dead boyfriend suspended over a fleeing car in the woods offers some rather nice suspense with the killer appearing and continually trying to break into the car and the sex/strangulation misidentification is really cool mainly because the circumstances needed to make it true, from the back-story needed to make sure she shouldn't see anything, the killer gaining access to the room without violent means, and the actual sounds of the incident, are all mixed together and makes a marvelous scene. These here really work nicely due to the way they incorporate the whole mythology of the premise into their stalking and work incredibly well at bringing these together. Other great scenes, where she watches someone in the killers known attire stalk one of her friends in a swimming pool while she is helplessly trying to get her attention or the tense stalking of the DJ in the radio station during the thunderstorm make for some additional tense, thrilling scenes, and the way it works out due to knowing what the killer is dressed like is effective enough. That also leads into the twist about the identity of the killer and how their secret is kept, as the way there are so many different red herrings involved and all of them given good alibis to clear them, so by gaining more clues to their identity, it broadens the suspense by making an extra clue for the people to solve. These here really work nicely for the film as there isn’t a whole lot really to dislike here. The main problem with this film is that it was aimed for the masses to consume, so it has a lot of toned-down gore. Many of these killings should've been gorier, and it will probably disappoint many out there looking for a good gory slasher film. It also falls into the realm of those films where they're trying to poke fun of the genre at the same time as trying to scare, and here is one example that having a ton of cheap scares aren't that frightening. What makes it worse is that many of the jokes aren't funny, so it is a bit flat in some places. The pacing is a little off in the first half with all the build-ups to the class and what they all mean, but there’s not a whole lot else wrong here. Rated R: Graphic Violence, Graphic Language, some alcohol use, a scene with a dog drinking and a brief mild sex scene.
Urban Legend is a movie I watched during a long weekend marathon of older slasher movies that seem to have been forgotten, or at least aren't as heralded as the more well-known movies of the genre (Halloween, Friday the 13th, A Nightmare on Elm Street, Scream, etc.). Among these lesser known movies, I would have to say that Urban Legend deserves to stand above, as it is more entertaining, more enjoyable, and more slick than you would expect. The concept here is more important than the story. Whereas Scream created a slasher movie where the characters and the killers were horror movie obsessives, Urban Legend does the same for...well, urban legends. The concept is inherently clever, as urban legends are stories and bedtime tales that are meant to induce a sense of fear and paranoia about whether they're true. As our final girl learns the hard way, convincing people to believe in these stories is a difficult task. The main attraction here apart from the premise is the cast. Ignoring their late-90s star power, the cast is still packed with beautiful people knowingly playing up the qualities that the audiences will enjoy the most. Fans of Jared Leto will enjoy guessing whether his mysterious character is the killer or just a red-herring. Alicia Witt and Rebecca Gayheart prove to be believable and relatable best buddies who each keep a dark secret from each other. Meanwhile, Joshua Jackson shows up long enough to deliver the movie's best laughs and a fresh-faced Tara Reid gives the teenage boys bouncing cleavage while she runs. Lastly, Loretta Devine gives us an authority figure who is absolutely worth rooting for. The movie is not shy about its self-awareness. It knows it's silly, it knows it's preposterous. It knows that you know this as well, and it takes that knowledge and runs, well aware that you can keep up. And the kills are fun, exciting, and clever, which is what everyone wants most of all from a slasher movie, right?
One of many lame slashers that sprouted in the late 90s thanks to the mega success of 'Scream'. Good cast utterly wasted with stilted dialogue and a nonsensical story, a half-assed motive and tame kills that weren't all that memorable.
When the body of Army Capt. Elisabeth Campbell is found on a Georgia military base, two investigators, Warrant Officers Paul Brenner and Sara Sunhill, are ordered to solve her murder. What they uncover is anything but clear-cut. Unseemly details emerge about Campbell's life, leading to allegations of a possible military coverup of her death and the involvement of her father, Lt. Gen. Joseph Campbell.
As a child, the brutal murder of her family made Alexis regain her hearing along with synesthetic abilities. Now as an adult, she finds solace in the sounds of bodily harm. But when she’s told she might lose her hearing again, she escalates her gruesome sound experiments in a quest to compose her masterpiece.
After she’s permanently blinded in a tragic car accident, Rebecca receives some bizarre news: her long-lost mother has recently passed away, leaving her their family’s ancestral castle in rural Albania. Traveling to the estate with a group of friends, Rebecca hopes it will be an opportunity for her to reconnect with a past she never knew and a mother who seemingly left her behind. When mysterious events begin to occur and her friends begin to die, Rebecca must unravel the secrets of her family’s history before she too falls prey to the Castle Freak.
Trapped on her family’s isolated farm, Pearl must tend to her ailing father under the bitter and overbearing watch of her devout mother. Lusting for a glamorous life like she’s seen in the movies, Pearl’s ambitions, temptations, and repressions collide.
Deep in the woods, a lost hiker stumbles upon the cabin of an erratic and reclusive old man. What starts off as cordial conversation soon turns dangerous as it becomes clear that one or both of them might be hiding a terrifying secret.
An invitation to the class reunion has arrived. It was a pension in Shinshu that she visited five years ago during a tennis training camp for my high school club. One girl who was there committed suicide. Why a class reunion in such a place... Six friends and one teacher meet again after a long time. From that night onwards, a series of murders begins, with participating women being brutally raped and then killed. What was the criminal's intention? Who will be killed next? While everyone trembles in fear, the evil hand finally approaches the office lady...
Criminal psychologist Dr. Verónica Arizméndi (Edith González) gets the opportunity of a lifetime: A chance to study "The Descuartizador" (Jorge Reynoso), a vicious serial murderer who has gained notoriety thanks to the press and his sadistic crimes.
Seattle medical examiner David Krane is obsessed with solving his wife's murder. A possible solution presents itself in an experimental "memory" serum designed by a neurobiology professor, which has the ability to transfer memories from one person to another, but with potentially fatal consequences.
A mysterious diver hiding in Amsterdam's canal system embarks on a rampage of gruesome murders, terrifying city officials and leaving few clues for the city's best detective, who doesn't suspect that both his new girlfriend and twelve-year-old daughter may be closer than he is to finding the killer.
On their cross-country drive, a married couple, Jeff and Amy Taylor, experience car trouble after their SUV breaks down. Stranded in the New Mexico desert, the two catch a break when a passing truck driver offers Amy a ride to a nearby café to call for help. Meanwhile, Jeff is able to fix the car and make his way to the café, but Amy isn't there. He tracks down the trucker - who tells the police he's never seen Jeff or his wife before. Jeff then begins a desperate, frenzied search for Amy.