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Director Rich Peppiatt‘s rowdy, frenzied film “Kneecap” is a lively biopic based on the hell-raising Irish rap trio of the same name. You’ve probably never heard of these musicians, but the film celebrates the general sense of anarchy as these young men become key figures in a civil rights movement to save their mother tongue. It’s a story about finding your voice in a world that seems determined to keep you down, all told with a slew of swear words, hip-hop tracks, and lots of drug-fueled shenanigans. Set in West Belfast in 2019, the film depicts the origins of the group Kneecap, including insight on how they created their unique sound. In a bid to push back against the establishment, Liam Óg, Naoise Ó Cairealláin, and JJ Ó Dochartaigh (who play themselves in the film) take to the stage as a symbol of Ireland’s restless youth. They refer to themselves as “low life scum,” and their message resonates with so many. By writing and performing hip-hop songs in Irish, they become a local sensation. This garners the attention of their political martyr father (Michael Fassbender), the ire of party conservatives, and the adoration of the people. It’s a true story that doesn’t give a ton of insight into the band members, but it’s still a lot of fun. The film features plenty of original music by the trio (which admittedly is an acquired taste), and their politically-charged rhymes and defense of their cultural heritage speak volumes. The guys write what they know, and the truth resonates with locals. It comes down to this: when cops don’t want people hearing your music, that’s when you know you’re doing something right. The songs and the film rapidly switch between English and Irish, so it takes a lot of concentration to watch. I could see some viewers quickly giving up, but those who stick it out will be rewarded. Liam, JJ, and Naoise are rambunctious lot, and their shenanigans are sometimes questionable but always entertaining. There are quirky bursts of humor that make the boisterous characters even more appealing. None of these guys are great actors, but it adds to the unpolished authenticity of the film. There’s a defiant energy to “Kneecap” that is invigorating, and the story is one that’s different and original. By: Louisa Moore / SCREEN ZEALOTS
"A Family Affair," a recent Netflix release starring Nicole Kidman, Zac Efron, Kathy Bates, and that actress from "Kissing Booth" whose name escapes me, is a film that could easily fall into the realm of cheesy and corny. Surprisingly though, it manages to be one of those guilty pleasure movies that you can't help but enjoy. While it's not groundbreaking by any means, the movie is surprisingly captivating and entertaining. The story revolves around a lonely celebrity who finds love in an unexpected place, his own assistant's mother. Yes, it's a bit cliché with Zac Efron and Nicole Kidman's characters falling for each other, but there are enough twists and surprises to keep things interesting. There are moments that are cringe-worthy, moments that are heartwarming, and moments that are just plain cheesy. But overall, the film manages to strike a balance that makes it worth watching. It may not be a masterpiece, and it's unlikely to become a favorite that you'll revisit often, but if you're looking for something to pass the time, "Family Love" is worth a watch. It's not as bad as some may think, especially if you're a fan of romantic movies.
A successful, attractive, intelligent and brilliant advertising executive is longing to finally find emotional stability in his life, and decides to propose to his girlfriend. After she refuses his proposal, his life takes a turn when a new young lady enters his life.
After her much older husband forces a move to a suburban retirement community, Pippa Lee engages in a period of reflection and finds herself heading toward a quiet nervous breakdown.
After his first attempt to obtain cash fails, a Broadway producer turns to a gambler to raise money for his show.
A theatre producer and actor try in vain to have a quiet week in a country cottage. But their efforts turn into comic disaster as a variety of wives, girlfriends and scoutmasters arrive uninvited.
Former professor of natural history, Louis Compiegne lives in retirement in a big house, with Pascal, his faithful servant. The arrival of a young American student comes to disorder the quiet life of the pensioner.
On the run and in search of help, two wounded gangsters find refuge in the secluded castle of a feeble man and his wife; however, under the point of a gun, nothing is what it seems.
After Regina Lampert falls for the dashing Peter Joshua on a skiing holiday in the French Alps, she discovers upon her return to Paris that her husband has been murdered. Soon, she and Peter are giving chase to three of her late husband's World War II cronies, Tex, Scobie and Gideon, who are after a quarter of a million dollars the quartet stole while behind enemy lines.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
In a small town in post-WWII France, 16-year-old Janine tries to improve her conditions by any means necessary. Three people—Michel, a married lover; Raoul, a fellow thief; Mauricette, a photographer she meets in prison—will help her learn from her mistakes.
When perpetually single, aging music industry exec Harry Sanborn, and his latest trophy girlfriend, Marin, arrive at her mother's beach house in the Hamptons, they find that her mother, playwright Erica Barry, also plans to stay for the weekend. Erica is scandalized by the relationship and Harry's sexist ways. But when Harry has a heart attack while there, and the doctor prescribes bedrest, his only option is to stay at the Barry home. Left in the care of Erica and his doctor, a love triangle starts to take shape.