War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
It's hard to find a single aspect of _Cobra _that hadn't been done before, or hasn't been done better since. It's hoakey and way too self-serious given the content. But if you're hankering for some of that Sly action of yore, you shouldn't go past _Cobra_... Unless its for any number of the nearly-identical-but-better movies he did in the same era. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
This is where the law stops and I start, sucker! Cobra is directed by George P. Cosmatos and written by Paula Gosling (novel Fair game) and Sylvester Stallone. It stars Stallone, Brigitte Nielsen, Brian Thompson, Reni Santoni, Andrew Robinson, John Herzfeld and Lee Garlington. Music is by Sylvester Levay and cinematography by Ric Waite. A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far-reaching plans. Cobra is a tantalising peek as to just what Stallone's "Beverley Hills Cop" would have looked like. He had turned in a gritty and ballsy action screenplay but the studio balked at the cost and thus went with the comedic Eddie Murphy route (which worked great as it happens). This truncated 1hour and 20 minute Cobra just hints at what a dark edgy action film we should have had before the scissor suits at the studio got panicky and cut out a third of the pic. What we have left though is still good fun, Stallone is on cocky and cool bad dude mode, the villain is OTT (Brian Thompson actually looks like Arnie in some facial shots), Nielsen is in her natural bodily state... while the action we do get is high octane. It's hardly a stinker, if a little frustrating with a "what might have been hanging" over it, and of course the editing is shoddy. 6.5/10
Short and sweet. 'Cobra' is a straightforward, by the numbers action film with Sylvester Stallone. It doesn't really do much to drift you away from the obvious, but the action itself is entertaining and some of the deaths are quite cool to watch. The songs are passable, if not entirely well chosen. Stallone, as you'd likely expect, is the only performer worth noting. He does his usual stuff and it comes across strong enough, one thing I didn't like about his character is his speech - the dialogue is kinda poor, they attempt to make Cobra a smooth, cool badass but it doesn't really work in that way. I'd almost considering this a disappointing film, but the watchable action and Stallone himself carry this over the line for a good film in my opinion.
My mother loved this film back when I was a kid, actually took me to see it three times in the theater... when I was about 6. As a kid, it was another fun action movie with a lot of fun violence and just scary enough where I could boast about it at school. And, as an adult it's a fun action movie with a lot of fun violence and a plot that doesn't completely make sense, but who cares because the point is fun. It's one of those movies that you don't expect a lot going into and you are rewarded with, well, mindless popcorn munching action that is delivered in a way that only the 80s could do. So what's not to like?
Skilled in the art of killing, a young assassin defies her mentor to save a boy from a ruthless crime syndicate — and she'll destroy anyone in her path.
After trying to cover up a car accident that left a man dead, a crooked homicide detective is stalked by a mysterious man claiming to have witnessed the event.
Inspired by the the life of Pulitzer Prize-winning, Miami-based journalist, Edna Buchanan, who investigates the murder of a man with ties to the Miami mafia.
A mysterious woman stranded by the side of the road hitches a ride with a passing stranger - neither of them is who they seem.
With the help of two accomplices an underhanded gambler prepares a rigged roulette wheel with which they quickly accumulate money hand over fist. But then greed forges a wall between the three and the intrusion of ruthless competitors result in a massacre.
Late 18th-century Joseon dynasty. The King is beleaguered and surrounded by traitors of the ruling elite. They plan to assassinate and replace him with a puppet. But the King has some aces up his sleeve that may help him defeat them all.
Brendan works solo shifts in the quietest toll booth in Wales, hiding from a criminal past where nobody would ever look. When he finally gets rumbled, word of his whereabouts gets out and his enemies head west for revenge. Meanwhile, local traffic cop Catrin’s investigation into a simple robbery finds her heading for the booth at exactly the wrong time.
A man is murdered, but the person responsible avoids being discovered and arrested. A few years later a police inspector suspects he has found evidence in a newly-published book entitled "Amok".
What’s your breaking point? What will you do when you feel like there’s no other choice? One woman has had enough. After documenting her abuse to show the world who her monster is, things get out of hand. There is only one thing left to do…murder the monster.