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Marketplace - (Dec 1st)
The Fifth Estate - (Dec 1st)
LIVE with Kelly and Mark - (Dec 1st)
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Made In Mumbles - (Dec 1st)
Im a Celebrity... Unpacked - (Dec 1st)
Michael McIntyres The Wheel - (Dec 1st)
Match of the Day - (Nov 30th)
Legends of Comedy with Lenny Henry - (Nov 30th)
Strictly Come Dancing- It Takes Two - (Nov 30th)
The Chase - (Nov 30th)
A Bite to Eat with Alice - (Nov 30th)
Alex Witt Reports - (Nov 30th)
Lucky - (Nov 30th)
WWE NXT- Level Up - (Nov 30th)
The Late Late Show - (Nov 30th)
Motorway- Hell On The Highway - (Nov 30th)
A History Of Royal Scandals - (Nov 30th)
So I am going to give _Rest Stop_ a rating of half a star, because it's fucking terrible, but I must admit, I did have at least a little fun talking shit about the movie with some mates. Ridiculous. Final rating:½ - So bad it’s offensive.
**No rest while a killer on the loose!** I watch B movies, but not that regularly. This was a direct-to-video film. I know nobody from it. At first it did not feel like I'm watching a film, but like someone who wanted to be a filmmaker is messing around with his camera. But it was not a matter, I got used to it, especially once the thrill part had started. It's an out and out thriller that is set in a remote place where a young woman was trapped by a mysterious killer. So her survival game begins, but the killer is always a step ahead. How long it can go like this and what happens at the end are the rest of the film to tell us. Those thriller parts were good for such a low cost film. But the screenplay was very very bad. It had a story, but there's no reason for it. Totally failed on that to give one. That's what people always expect at the end the film to explain. It was more like a silly random act, though most of the 'killing' films are similar. They have added a sex scene at the very beginning, knowing there won't be a place for it in the latter section. You can say it was unnecessary, but to bring more audience to the film to watch. I have seen even worse. So, for the attempt and for a couple of scenes it deserves some respect. _3/10_
Straight-to-video had a simple but solid premise going in but throwing in a clear supernatural element (i.e. a phantom, immortal driver and vivid, interactive hallucinations) really turned me off. I will say Jaimie Alexander (in what looks like only her second feature film) wasn't bad. Watchable I guess but ultimately doesn't work. **2.25/5**
On their cross-country drive, a married couple, Jeff and Amy Taylor, experience car trouble after their SUV breaks down. Stranded in the New Mexico desert, the two catch a break when a passing truck driver offers Amy a ride to a nearby café to call for help. Meanwhile, Jeff is able to fix the car and make his way to the café, but Amy isn't there. He tracks down the trucker - who tells the police he's never seen Jeff or his wife before. Jeff then begins a desperate, frenzied search for Amy.
A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)
When a comet passes close to the earth, machines all over the world come alive and go on homicidal rampages. A group of people at a desolate truck stop are held hostage by a gang of homicidal 18-wheelers. The frightened people set out to defeat the killer machines ... or be killed by them.
Rex and Saskia, a young couple in love, are on vacation. They stop at a busy service station and Saskia is abducted. After three years and no sign of Saskia, Rex begins receiving letters from the abductor.
A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.
Traveling businessman David Mann angers the driver of a rusty tanker while crossing the California desert. A simple trip turns deadly, as Mann struggles to stay on the road while the tanker plays cat and mouse with his life.
While Mario is driving under the rain, he finds a woman in the middle of the road, disoriented and covered in blood, who does not remember where she has been or what happened to her. Looking for assistance, Mario stops at a quiet bar called The Den.
Haunted by memories of his father murdering a family, Arlis Sweeney prefers to keep to himself, focusing his energy on his work. One day, the traumatic past that eats away at him returns when he meets Kay Davies, a woman connected to the bloody event. Against all odds, Arlis and Kay fall in love; however, when his father, Roy, reappears in his life - with the coldhearted Ginnie in tow - Arlis must deal with his past demons.
Joe and Paul Fabrini are Wildcat, or independent, truck drivers who have their own small one-truck business. The Fabrini boys constantly battle distributors, rivals and loan collectors, while trying to make a success of their transport company.
Six troubled high school students and their chaperon, an optimistic youth ministries Pastor, return from an outdoor character building retreat in the mountains. During a raging storm, their bus crashes, hopelessly stranding them in the middle of the Trucker's Triangle, a forgotten locus of consummate evil in the middle of nowhere.
Nick Garcos comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber. He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia, and Nick resolves to get even. He partners with prostitute Rica, and together they go after Mike, all the while getting pulled further into the local crime underworld.