Under Lock and Key

John, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support John on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.

A young Italian actress embarks on a self-destructive spree of sex, drugs and other excess while doing some soul searching to find the path for redemption.

Conservative middle-aged fisherman Singaram cares for his orphaned niece and nephew who he loves deeply. As Singaram works hard to provide for his family, he also tries to arrange a groom for his niece. But she rejects the many suitors he brings, and he soon learns that his niece is in love with her fellow female teacher. Ostracized by his community, Singaram tries to come to terms with his niece being a lesbian and through the process he learns to empathize with the plight of the village barber Alankaram, who is transgender.

An imprisoned ex-police inspector discovers that the entire penitentiary is controlled by an inmate running a crime syndicate and becomes part of the crime empire.

Stage director Frank Castorf “might have been born to direct From the House of the Dead” (Opera Today). His gritty, visually striking adaptation brings bold modern and postmodern touches to Janáček’s masterwork without ever overshadowing the intense forward momentum of the music, conducted to dramatic perfection by Simone Young and sung by an all-star cast in Munich. Janáček adapted Dostoevsky for this powerfully compelling opera set in a Siberian prison camp, full of starkly contrasting moods and motifs, unusual in its episodic structure. The last opera Janáček ever composed, its third act was on his desk when he died in 1928; attempts by his students to “complete” his orchestration have largely fallen away over the decades in favor of the original version. Despite the grimness of the setting and the brutality of several characters, the composer’s compassion shines through in tender moments, movingly illustrating his motto for the work: “in every creature, a spark of God.”

A wealthy man suffers from impotence whenever he tries to make love to his wife. Since Viagara hadn't been invented yet, his swinging liberal doctor instead recommends a strong dose of infidelity. Before long he is rolling in the hay with a young lovely and needless to say his impotence problem is cured (it's amazing that he doesn't have a heart attack though). His wife is a little bitter, however, and decides to embark on her own affair. And if you're wondering with whom, well, just look at the title.

North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.

An employee at the French Embassy in Bangkok invites his wife to join him – and enjoy the benefits of their open marriage.

A woman moves into a young man's home and starts to run his life - a process that makes him fall hopelessly in love with her.

A doctor is wrongly convicted of murder and sent to prison.

A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.