Dendam Pontianak

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Datuk Pengiran Abdul Rahman has asked his lawyer to find the people to inherit his fortune worth RM30 million. Besides his two sons, Azlee, a businessman and Mazlan, a fashion designer, there are still two more people on the list. One of them is Saiful, an orphan and a mechanic who do not see that he will be inheriting his dad's million-dollar fortune, because he has never seen his dad before. The other is Ratnapuri, a Siamese woman. Azlee, Datuk's eldest son, cannot accept the presence of Saiful and also Ratnapuri when his father's will is read at Datuk's residence.

It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.

Rumored to have been lost, Antrum appears as a cursed film from the 1970s. Viewers are warned to proceed with caution. It’s said to be a story about a young boy and girl who enter the forest in an attempt to save the soul of their recently deceased pet. They journey to “The Antrum,” the very spot the devil landed after being cast out of heaven. There, the children begin to dig a hole to hell.

Four heirs to a family fortune are summoned to appear at the family estate for the reading of the will, where they meet the estate's staff, which includes a nurse, a crazed doctor, and a sinister handyman.

A group of young people made a bet, according to the terms of which they had to visit a cemetery at midnight.

A doctor kills and embalms a woman in order to preserve her beauty.

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

A beloved horror actress questions the triviality of her career starring in Pontianak films, all the while being filmed by a group of documentary filmmakers.

The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.