In the Summers 2024 - Movies (Mar 8th)
Old Guy 2024 - Movies (Mar 8th)
Captain America Brave New World 2025 - Movies (Mar 8th)
Moana 2 2024 - Movies (Mar 7th)
Ghost Cat Anzu 2024 - Movies (Mar 7th)
The Silent Planet 2024 - Movies (Mar 7th)
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The Beat with Ari Melber - (Mar 8th)
Saturday Kitchen Live - (Mar 8th)
Around the World in First Class - (Mar 8th)
Know Where to Hide - Wie niet weg is… - (Mar 8th)
SAKAMOTO DAYS - (Mar 8th)
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The Weakest Link - (Mar 8th)
Britains Got Talent - (Mar 8th)
Alex Witt Reports - (Mar 8th)
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Would I Lie to You - (Mar 8th)
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Rogue Claimers - (Mar 8th)
Solo Leveling - (Mar 8th)
Ancient Aliens - (Mar 8th)
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Le Tableau is a rather clever pastiche of Romeo and Juliet and The Wizard of Oz. It’s also a palimpsest, rich in content and meaning below the surface. Star-crossed lovers Ramo (Adrien Larmande) and Claire (Chloé Berthier), must hide their romance, not because of their surnames, but as a result of differences in class and religion. We've seen this a million times before, but never as in this animated film co-written and directed by Jean-François Laguionie. Ramo and Claire are figures in an incomplete painting; he belongs to the aristocratic Toupins (tout peint, or 'fully drawn'), who live in the palace, and she to the stigmatized Pafinis (Pas fini, or 'not finished'), who occupy the garden (there are also the Reufs, exiled in the "Cursed Forest" with its "Flowers of Death"). The Pafinis await the return — the Second Coming, so to speak — of the Painter (appropriately performed, in voice and body, by Laguionie himself, who personally designed each of the characters), so he can finish them. The Toupins, agitated by the Great Chandelier (Jacques Roehrich), believe that the Painter will not return because his work is already done (“And if he made us, the Toupins, the only perfectly drawn beings in his works, it is because such was his intention"). As for the Reufs, "it is said that they believe in nothing." The love story is, counterintuitively, the weakest aspect of the plot — in particular plain and tall Claire, designed in Amedeo Modigliani's elongated style; fortunately, the true heroine is Lola (Jessica Monceau), who has the physiognomy and the self-assurance of a young Salma Hayek. She takes on the role of Dorothy alongside the Lion, Scarecrow, and Tin Man who are Ramo, Plume (Thierry Jahn) — a Reuf whose friend was turned into abstract art under the Toupins' boots —, and Magenta (Thomas Sagols), a soldier from another painting. The foursome literally walk through the fourth wall, leaving their paintings to visit the apparently abandoned studio of the Painter, about whom they nonetheless learn quite a bit thanks to some of his other works, including a self-portrait and a nude of an former lover named Garance. It is through this painting that the protagonists access Venice; that is, the Venice of the Painter’s dreams: an endless carnival concealing deep sadness and loneliness. Eventually, the heroes tired of waiting for God's help and start helping themselves; with the help of the self-portrait and the materials they find in the studio, the 'unfinished' finish themselves. This is interesting because it is not the Toupins who learn to accept the Pafinis as they are, but the Pafinis who change to fit in with the Toupins; however, Le Tableau is not so much about tolerance as it is about free will (as the Painter tells Lola, when she finally finds him: "I didn't abandon them; [on the contrary], I gave them the essentials)". Notably, Lola is the only Pafini who declines to become a Toupin, as well as the only one who refuses, so to speak, to be confined to a frame. Le Tableau is an impressive collage, not just of styles — 3D digital animation made to look hand-drawn, mixed with live action and photorealistic CGI (arguably the best use of these modern technologies I've ever seen), through which hommage is made to Chagall, Modigliani, Picasso and Matisse —, but mainly of ideas; a reflection on the nature of art, reality, perception and identity, and on the role of the artist as a demiurge.
The world of 10-year old Nina has been in turmoil since her father lost his job. Despite weeks of strike, his factory closed down. The manager had tampered with the accounts and precipitated its collapse. But rumour has it that a nest-egg remains hidden somewhere in the factory. Nina and her friend Mehdi spring into action to help Nina’s dad out. This tale of our times, which is also a coming-of-age story, stages the interaction between the concerns of children and those of adults.
In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
I can tell you about my father's voyage on his boat, because I was with him all the time. It was a rather strange voyage, with no ocean or sea crossing, not even a lock to pass through... The boat stayed at home and so did my father. But that does not mean there was no adventure...
Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.
Behold the struggle between light and dark, the two principles that are at the very heart of the cinematic deed. A Solar Dream takes the seventh art’s ability to generate imaginary and phantasmagorical worlds to the limit, multiplied here by Michèle Bokanowski’s enveloping music. A precious plastic and sonic gem.
A futuristic cruise ship with a crew of robots is ready to take its first flight. A boy follows his curious dog on board of the ship, but then the ship takes off. The robots sees the boy as a blind passenger and try to get him off the flying ship.
On the windy and cloudy beach, Granny is praying, Mum is shouting, the sisters don’t care, Lucas is alone. Grandpa was a weird guy, now he's dead.
Having lost their status and credibility five years after covering New York City with gooey roasted marshmallows in Ghostbusters (1984), the city's former heroes and once-popular spirit-hunters struggle to keep afloat, forced to work odd jobs. However, when Dana and her baby have yet another terrifying encounter with the paranormal, it is up to Peter Venkman and his fearless team of supernatural crime fighters to step up and save the day. Once more, humankind is in danger, as rivers of slimy psycho-reactive ectoplasm, paired with the dreadful manifestation of evil sixteenth-century tyrant Vigo the Carpathian, threaten to plunge the entire city into darkness. Is the world ready to believe? Can the Ghostbusters save us for the second time?
With the help of her delivery-boy friend, Dilili, a young Kanak, investigates a spate of mysterious kidnappings of young girls that is plaguing Belle Epoque Paris. In the course of her investigation she encounters a series of extraordinary characters, each of whom provides her with clues that will help her in her quest.
Against his father Odin's will, The Mighty Thor - a powerful but arrogant warrior god - recklessly reignites an ancient war. Thor is cast down to Earth and forced to live among humans as punishment. Once here, Thor learns what it takes to be a true hero when the most dangerous villain of his world sends the darkest forces of Asgard to invade Earth.