Secret Lives of Orangutans 2024 - Movies (Nov 29th)
Christmas Wreaths and Ribbons 2024 - Movies (Nov 29th)
Defoe 2024 - Movies (Nov 29th)
Porch Pirates 2024 - Movies (Nov 29th)
Debbie Macomber’s Joyful Mrs. Miracle 2024 - Movies (Nov 29th)
Instacult 2024 - Movies (Nov 29th)
The Bridge 2024 - Movies (Nov 29th)
Once Upon a Christmas Wish 2024 - Movies (Nov 29th)
A Christmas Less Traveled 2024 - Movies (Nov 29th)
The Window 2024 - Movies (Nov 29th)
Hitpig 2024 - Movies (Nov 29th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Beatles 64 2024 - Movies (Nov 29th)
Watchmen Chapter I 2024 - Movies (Nov 29th)
Nutcrackers 2024 - Movies (Nov 29th)
Aftermath 2024 - Movies (Nov 29th)
Deadline- White House - (Nov 29th)
The Beat with Ari Melber - (Nov 29th)
Cops - (Nov 29th)
The Last Leg - (Nov 29th)
Have I Got News for You - (Nov 29th)
Gogglebox - (Nov 29th)
The One Show - (Nov 29th)
Susan Calmans Grand Day Out - (Nov 29th)
Mistletoe Murders - (Nov 29th)
Junior Taskmaster - (Nov 29th)
The Chase - (Nov 29th)
Richard Osmans House of Games - (Nov 29th)
The Vietnam War - (Nov 29th)
DC Heroes United - (Nov 29th)
Deal or No Deal - (Nov 29th)
Four in a Bed - (Nov 29th)
Katy Tur Reports - (Nov 29th)
Canadas Drag Race - (Nov 29th)
Finding Mr. Christmas - (Nov 29th)
Discontinued - (Nov 29th)
This is one of those films that leaves me with decidedly mixed feelings. It’s definitely a showcase for writer-director Savanah Leaf, whose considerable artistic sensibilities are clearly apparent in her first feature outing. The same can be said for lead actress Tia Nomore, making her screen debut in a genuinely moving performance. Unfortunately, the vehicle in which their talents are being put to use could stand to be better. This story of the bureaucratic turmoil faced by a single mother in recovery who’s pregnant with her third child (and her first two in foster care) sincerely seeks to evoke viewer empathy for the circumstances she’s enduring. At the same time, though, the story also raises many questions about responsibility (or a lack thereof), an admittedly honest depiction of conditions that are often present in these scenarios that, nevertheless, tends to undercut the pursuit of that aforementioned goal, leaving viewers (like yours truly) confused about what to truly feel. Add to that a somewhat thin narrative that feels padded to fill out the runtime, and one has a picture that comes up short of its objective, despite the efforts of a fine ensemble cast and engaging cinematography. This production’s National Board of Review accolades and Independent Spirit Award nominations aside, Leaf and Nomore genuinely deserve better material to show audiences what they’re capable of. Regrettably, however, this isn’t it.
Tia Nomore delivers strongly here in this otherwise rather unremarkable drama about "Gia". She's a woman expecting her third child in San Francisco, with the other two already in the care system and she seems to be thinking this latest one will be adopted. We have no idea where the child's father is - indeed, men don't feature much at all in this film - so we are quickly immersed in her sense of isolation and loneliness from the start. It's not an emotionally charged, woe-is-me, sort of loneliness - it's more of a realisation that she wants to be on her own, thrives better on her own, won't get let down on her own. The thrust of the narrative now attempts to confront that approach and demonstrate to her that there are plenty amongst her community who could be there to help, to engage and to integrate with. It's a nicely photographed film with camerawork that provides us with an intimate glimpse into this troubled woman's life, but the story is really nothing new and the storyline emphasises all too clearly the difficulties of trying to have a child whilst reliant on over-stretched state infrastructure without addressing any of her own social and behavioural responsibilities to herself and unborn child. Indeed, she comes across frequently as a rather selfish, almost, childish herself, kind of character who thinks nothing of walking through the park stealing nappies from other recent mothers! It has moments that are poignant, and it does look good - but it's way too simplistic and just a little one-sided for me. I expect to see more of Nomore though.
Annie, a 36-year-old, single woman, desperately wants to have a child. Her best friend, Mickey, a gay man who had tried unsuccessfully to adopt a child, also feels the pangs of parental yearning. The couple decides to have a naturally conceived child together. Mickey moves in with Annie, but she then meets Gordon, the man of her dreams with whom she has a passionate fling. Annie finds herself pregnant and not exactly sure which of the two men in her life is the father. But commitment-shy Gordon wants nothing to do with the child. Mickey eventually assures Annie that no matter what, he will help raise the child as his, together as a family with Annie.
Self-made billionaire Dave Fishwick returns to take on a new and more dangerous adversary: The Payday Lenders.
The fates of horses, and the people who own and command them, are revealed as Black Beauty narrates the circle of his life.
A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins - with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.