War of the Worlds Extinction 2024 - Movies (Mar 28th)
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The One Show - (Mar 29th)
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Gogglebox - (Mar 28th)
"_You think you've found the right man, but there's so much wrong with him, and then he finds there's so much wrong with you, and then it all just falls apart._" It feels like an extension of the first movie more than a prequel. I mean that as in it is very similar, contuing from where we left off and is still pretty funny. Lesson for me here is that overthinking is a bitch.
Picking up from the first outing for the ditzy "Bridget" (Renée Zellweger), she is now six weeks into her doting relationship with human rights lawyer "Mark" (Colin Firth). Thanks also to a bit of skydiving and some pigs, she is finding her broadcasting career blossoming too and with boss "Richard" (Neil Pearson) keen to build her part up, she is annoyingly partnered with smarmy old beau "Daniel" (Hugh Grant) and despatched to do a travelogue on Thailand. He's a charmer is that one, but she knows he cannot be trusted. That's successfully proven when she gets herself caught up in a drug smuggling caper and confined to a 40-to-a-cell women's prison with only one fairly hapless Foreign Office gent telling her how sticky her wicket is! Can she be rescued? Can she get back to her beloved? Of course there's not a jot of jeopardy to any of this, and in the intervening three years since the first film this character has lost much of her charm and punch. In many ways this just mirrors that story only it's not so innovative any more. There's still plenty to poke fun at amidst her sexist and accident-prone environment and Zellweger really does have the character down to an hapless T now, but I just felt I knew what was coming long before it did and the writing this time around defers all to often to the soundtrack. It's amiable enough, but a little tired and predictable.
'Bridget Jones: The Edge of Reason' is a totally pointless sequel. There isn't really anything substantial that happens in this, it basically goes in one big circle before finishing how it started; aside from one minute-long detail. Admittedly, it does manage to avoid being bad. Renée Zellweger remains a plus, as do Colin Firth and Hugh Grant. With that said, this film adds nothing new to their characters, they are just replicas of themselves from the 2001 original. The film (as before) does have a charm to it, which saves it from a lower rating... too generous?
A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
American tourists David and Jack are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. Retiring to the home of a beautiful nurse to recuperate, David soon experiences disturbing changes to his mind and body.
Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.