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I am genuinely enjoying the show and believe it is a fantastic addition to the Marvel Cinematic Universe (MCU). "Ms. Marvel" offers a creative portrayal of a superhero character that reflects contemporary culture, bringing new perspectives and diversity to the forefront of this massive entertainment franchise. The key question remains whether she will seamlessly integrate into the established MCU universe and receive the justice she deserves in terms of storytelling and character development. I have high hopes for the growth and evolution of the characters within the MCU. The series' characters are engaging and entertaining, making for a compelling watch throughout. While there have been changes to Ms. Marvel's powers to differentiate her from other superheroes like Mr. Fantastic, the success of these alterations ultimately depends on creative writing and proper execution to make the adjustments work within the narrative. Characters like Bruno and Red Dagger have proven to be captivating and deserve further exploration, with Red Dagger potentially even earning his own series in the future. While the focus on Ms. Marvel's family may not have initially garnered as much attention, their integration into the larger Marvel community has added depth and significance to the overall storytelling within the MCU. "Ms. Marvel" provides a fresh perspective on the superhero experience, embracing differences and showcasing character development across the franchise. The show's ability to interweave various elements and tie them together is commendable, offering an immersive and cohesive viewing experience. Additionally, the representation and exploration of Indian culture in the series are appreciated and contribute to the overall richness of the storytelling. One point of contention may be Ms. Marvel's classification as a mutant, as she was not traditionally associated with the X-Men. However, as the narrative progresses down this path, it will be intriguing to see how this storyline unfolds and connects to the broader narrative arc within the MCU. Overall, "Ms. Marvel" stands out as a standout addition to the MCU, offering a fresh and diverse perspective on superhero storytelling and character development. The show's ability to blend cultural elements with superhero themes creates a unique and engaging viewing experience that resonates with audiences. No likes yet
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Sylvester Stallone and John G. Avildsen narrate behind-the-scenes footage from the making of "Rocky" to mark the film's 40th anniversary.
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.
Pepedrilo and his peculiar connection with nature are embodied by the care and protection of a crocodile sanctuary, whose stability is put in danger day by day by the threat of men.
A couple of dolts lost in the woods get stalked by a lunatic obsessed with John Stamos.
Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).
From "SCTV" and "Home Alone" to "Best in Show" and "Schitt’s Creek", Catherine O’Hara collaborates with fellow performers throughout her legendary career to take comedy to new heights.
A behind-the-scenes documentary on the making of "Dr. Terrible's House of Horrible" featuring Steve Coogan.
How does mobility reflect social status and racism? A story of two African American women working to provide and improve mobility in their community, as they tell the history of the Safe Bus - formerly the biggest black-owned transportation system in the world.