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Someday at a Place in the Sun - (Feb 6th)
Bargain-Loving Brits in the Sun - (Feb 6th)
Dateline- Secrets Uncovered - (Feb 6th)
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I am genuinely enjoying the show and believe it is a fantastic addition to the Marvel Cinematic Universe (MCU). "Ms. Marvel" offers a creative portrayal of a superhero character that reflects contemporary culture, bringing new perspectives and diversity to the forefront of this massive entertainment franchise. The key question remains whether she will seamlessly integrate into the established MCU universe and receive the justice she deserves in terms of storytelling and character development. I have high hopes for the growth and evolution of the characters within the MCU. The series' characters are engaging and entertaining, making for a compelling watch throughout. While there have been changes to Ms. Marvel's powers to differentiate her from other superheroes like Mr. Fantastic, the success of these alterations ultimately depends on creative writing and proper execution to make the adjustments work within the narrative. Characters like Bruno and Red Dagger have proven to be captivating and deserve further exploration, with Red Dagger potentially even earning his own series in the future. While the focus on Ms. Marvel's family may not have initially garnered as much attention, their integration into the larger Marvel community has added depth and significance to the overall storytelling within the MCU. "Ms. Marvel" provides a fresh perspective on the superhero experience, embracing differences and showcasing character development across the franchise. The show's ability to interweave various elements and tie them together is commendable, offering an immersive and cohesive viewing experience. Additionally, the representation and exploration of Indian culture in the series are appreciated and contribute to the overall richness of the storytelling. One point of contention may be Ms. Marvel's classification as a mutant, as she was not traditionally associated with the X-Men. However, as the narrative progresses down this path, it will be intriguing to see how this storyline unfolds and connects to the broader narrative arc within the MCU. Overall, "Ms. Marvel" stands out as a standout addition to the MCU, offering a fresh and diverse perspective on superhero storytelling and character development. The show's ability to blend cultural elements with superhero themes creates a unique and engaging viewing experience that resonates with audiences. No likes yet
An Oscar-nominated film with no narration showing the Exploratorium (The Palace of Arts and Science) in San Francisco. It shows many of the exhibits and the reaction of visitors to many of these. Preserved by the Academy Film Archive.
Examines the mesmerising construction of clear crystal glass pieces created by the craftsmen of Waterford. The process from the intense heat of the furnace to glass blowing, shaping, cutting, honing, filling and finishing is all depicted in this celebration of the art of creation of Waterford Glass. Academy Award Nominee: Best Live Action Short - 1976.
An intimate view of the panorama of African wildlife, giving a sense of what it is really like to be there, and in a dramatic climax makes a poignant plea for conservation. Filmed in Zaire, Kenya and Tanzania, the film takes the viewer from deep inside an anthill, to the majestic giraffes suckling their young. African storms, dung beetle ritual dances, duels for supremacy, feeding time, and playtime all end as the animals disappear one by one while the sound of a rifle shatters the existing magic of life. Winner of the Academy Award for Documentary Short Subject, 1976.
A set of seven portraits consisting of personal accounts from the lives of gays and lesbians. The narration includes stories about coming out, bashing, cross-dressing and AIDS.
Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)
Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)
This Warner Bros. short reviews in an often humorous way the impact of the automobile on the United States. By 1900, the horseless carriage was beginning to have an impact. Early adopters were often the object of attention by large curious crowds. There were many car manufacturers and the quality of their product varied considerably. Traffic jams, pollution and automobile racing were only a few of the outcomes.
Impressionistic picture of the Third Avenue Elevated Railway in Manhattan, New York City, before it was demolished. Preserved by the Academy Film Archive in 2010.
Longtime playwrights and performers of the Abbey Theatre share colourful reminiscences of the national institution founded by W.B. Yeats and Lady Gregory in 1904. Oscar Nominee: Best Documentary Short
Thirty Million Letters is a 1963 short documentary film directed by James Ritchie and made by British Transport Films. It was nominated for an Academy Award for Best Documentary Short.
The Arkansas school integration crisis and the changes wrought in subsequent years. This film profiles the lives of the nine African-American students who integrated Central High in Little Rock, Arkansas, during the fall of 1957. The film documents the perspective of Jefferson Thomas and his fellow students seven years after their historic achievement. Central to this story is their quiet but brave entrance into Little Rock High, escorted by armed troops under the intense pressure of the on looking crowd. We learn first hand their impressions of the past and present and their hopes for the future. Their selfless heroism broke the integration crisis and pioneered a new era. This film went on to win an Academy Award® for Best Documentary Short in 1964.