Cabrini 2024 - Movies (Oct 2nd)
Finding Tony 2024 - Movies (Feb 27th)
Gladiator II 2024 - Movies (Feb 27th)
Bookworm 2024 - Movies (Feb 27th)
Captain America Brave New World 2025 - Movies (Feb 27th)
Kraven the Hunter 2024 - Movies (Feb 27th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 26th)
Red One 2024 - Movies (Feb 25th)
Heretic 2024 - Movies (Feb 25th)
Hellboy The Crooked Man 2024 - Movies (Feb 25th)
Eric Clapton Unplugged… Over 30 Years Later 2025 - Movies (Feb 25th)
Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Gogglebox - (Feb 28th)
Yorkshire Air 999 - (Feb 28th)
Tipping Point - (Feb 28th)
Truth Be Told - (Feb 28th)
Death in Paradise - (Feb 28th)
Katy Tur Reports - (Feb 28th)
Drag House Rules - (Feb 28th)
Would I Lie to You - (Feb 28th)
Four in a Bed - (Feb 28th)
Chris Jansing Reports - (Feb 28th)
Come Dine With Me- South Africa - (Feb 28th)
Piers Morgan Uncensored - (Feb 28th)
The Tucker Carlson Show - (Feb 28th)
Homicide Squad New Orleans - (Feb 28th)
Law and Order Toronto- Criminal Intent - (Feb 28th)
Teen Mom- The Next Chapter - (Feb 28th)
Live from the Other Side with Tyler Henry - (Feb 28th)
Newtopia - (Feb 28th)
After the First 48 - (Feb 28th)
The 11th Hour with Stephanie Ruhle - (Feb 28th)
Repetition, delay, suppression, intertwined images. Through the child, father, and mother; the way memories are recalled, the camera's manipulative reduction of photographs, videos against their magnificence in memory.
Dancing Plague, a GTA V mod, flips the script. Holding H key forces male NPCs to dance uncontrollably, revealing the game's biased animations where female characters (often sex workers) have the flashiest moves. This disrupts the game's gender roles, making masculinity both playful and challenged. Interestingly, female characters ignore the male dance frenzy. This is a humorous critique of the game's gender politics. The mod's soundtrack, by Azu Tiwaline, blends electronic music with trance traditions, deepening the critique and adding an immersive ritualistic feel.
An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.
Otro Sol is a group of real and invented characters trapped in a film. It is also a purgatory of retired thieves that takes place on the coast of the Atacama Desert. The film is circular and seeks to invent and verify the myth of Alberto Cándia, a Chilean international thief who stole the Cathedral of Cadiz in Andalucia in the late 1980s.
A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.
A fragment of reality about a less affected part of the third world, and how it got to the moon.
Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.
An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections. The result is a cool and piercing meditation on the way the categories of "woman" and "criminal" have been constructed.