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Don Ameche ("Dawson") and Lynn Bari ("Claire") concoct a scheme to open a school to teach the naive and the gullible how to be successful. Their first mark turns out to be "Tad" (Henry Fonda) who enters their competition to win $50 and a free course. He's not so fussed about the course, but his two new friends set about trying to manipulate him to stick around, to attract new students and to help them keep the bank from defaulting on a big loan. Their problem is, the more "Tad" is introduced to their would-be clients, the more he convinces them that there is simply no need for their services and soon they are determined to be shot of him. Snag? Well, of course, "Claire" has started to fall for the charm and innocence of "Tad" and when "Dawson" tries to use that to his advantage, things start to get a bit messy. The three at the top of the bill gel well here, with Fonda comng across well as the not so imbecilic yokel. The script is often quite amusing and well delivered, and there are a few entertaining supporting contributions from George Barbier and Edward Everett-Horton to keep it all moving along well for just shy of eight minutes.
After the defeat of their old arch nemesis, The Shredder, the Turtles have grown apart as a family. Struggling to keep them together, their rat sensei, Splinter, becomes worried when strange things begin to brew in New York City.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
After an extremely regrettable one night stand, two strangers wake up to find themselves snowed in after sleeping through a blizzard that put all of Manhattan on ice. They're now trapped together in a tiny apartment, forced to get to know each other way more than any one night stand should.
Arthur and Anatole are two little robbers. They want to rob money, money that will travel in a special train from Paris to Bruxelles. They don't know that other people have planned to do the same thing.
Two ex-soldiers return from overseas-one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant-who hates them-and getting involved with a race-car builder who's trying to find backers for a new midget racer he's building.
After Flash Fulton and Weejie McCoy take pictures of a bank robbery, they're lured to the mountain resort hideout of the robbers, where they meet an old friend and his band.
After nine months of separation, Ellie and Estlin reconnect on Christmas Eve. However, they are both wary of jumping right back into a relationship and therefore propose a challenge: they must spend 10 days with each other before a decision can be made. The film is about relationships, the holidays and being young in New York.
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Mary and Tom are parentless Irish siblings who arrive in New York City via ocean liner in 1886 and quickly find themselves on a wild, cross-country journey aboard a transcontinental "Orphan Train" where they meet an extraordinary new friend who will change their lives forever.
THE SINEMA OF NICK ZEDD is the first DVD collection of the filmmaker’s works, and includes 11 of his films as well as outtakes, interviews, and rare concert footage of Zedd’s music project, the noise band Zyklon-B. Contains: Police State, The Bogus Man, Ecstasy in Entropy, Why do you Exist, Whoregasm, War is Menstual Envy (exerpt), Tom Thumb in the Land of the Giants, the Wild World of Lydia Lunch, Go to Hell, Zedd’s Collaborations: Thrust in Me (with Richard Kern), Go to Hell, I of K9 with outtakes and screentests from Why do you Exist and Ecstasy in Entropy, Concert Footage and Interview with Zedd’s Industrial noise band Zyklon Beatles, and a trailer for War is Menstrual Envy.
A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.