Дяволът в София

A lost silent drama film directed by Raoul Walsh and starring Renée Adorée, Carlo Liten, Harrison Hunter, Beatrice Noyes, Florence Malone, and Jean Gauthier DeTrigny. It is based on the 1919 French novel Les Plus Fort by Georges Clemenceau.

Walsingham Van Dorn has a fancy name but no money until he inherits 40 million dollars from a pair of wealthy, but wicked, uncles.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

A man is framed for the murder of his uncle, a bank president, and sentenced to hang. His sister and a mail clerk who's helping her discover information that may clear him, but they have to get to the governor in time to present their new evidence and get a stay of execution.

Hard as nails and as strong winded as a gale in March, Red Hicks may have been a bit "chesty," but he was in perfect trim. The town depended on the champion, O'Shea, the fighting Irishman, to make soft putty of the world famous pugilist, but on the day of the fight there was no O'Shea. The supposition was he did not have the price: and other domestic difficulties interfered. O'Shea's trainer, however, solved the problem and Bed Hicks found his Waterloo.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Happy in her devotion to her unfortunate sister and the promise of honest love that had come into her life, the girl was perhaps blind to true values. She became indifferent to her life and its surroundings. Accordingly she accepted the stranger and his doubtful promises. Honest love and duty were forgotten, until, caught near life's uncertain edge, she was called back by her blind sister's peril. Thus was true love separated from blind infatuation and life's lesson learned.

Boulevardier Sir Nicholas Thormonde (Lew Cody) has to choose between his mistress Suzette (Renée Adorée) and his virtuous secretary Alathea (Harriet Hammond) in wartime Paris.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

The girl's lessons from the young station agent on the manipulation of the telegraph code served her in good stead. By it, hemmed in on all sides at the lonely farmhouse, she was able to save both herself and her father's money from desperate tramps, an experience which is grippingly illustrated in this Biograph melodrama.

In this film one is shown the contrast of two fathers. One father refuses to believe his son guiltless, while the other, fully realizing the weakness of his son, struggles to save him from further disgrace. In this attempt he exonerates the innocent youth, but at the same time exposes the guilt of his own son.