Circadian

Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.

Incarcerated participants in a mental health experiment watch videos of sunset-soaked beaches, wildflowers and forests on loop, prompting them to reflect on isolation and wilderness. Equal parts meditation and provocation, Blue Room identifies the damage done by withholding access to the outdoors and how we are all prisoners when the essential human need for communion with nature is denied.

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.

What starts as a desire to experience nature more intimately develops into a relatable conversation on alternative pathways through life. Two friends go on a two-year road trip through Latin America. Presenting an insight into long term travel and how engaging in new cultures and environments can help widen our perspective and deepen our understanding of the world we live in. Pacifico forms a discussion around the pros and cons of living in the moment; Showing how slowing down and observing the world mindfully can aid in gaining perspective and broaden an understanding of what is important in life.

An experimental project made up of 10 minute silent portraits with 60+ participants.

Morgan Spurlock subjects himself to a diet based only on McDonald's fast food three times a day for thirty days without exercising to try to prove why so many Americans are fat or obese. He submits himself to a complete check-up by three doctors, comparing his weight along the way, resulting in a scary conclusion.

During the pandemic, Dave McKenzie came upon an object in his studio, located in the basement of his house, that he had bought some time ago. Its purpose was to collect sawdust, although he had never used it. He began trying to fit himself into it, eventually creating and recording loosely improvised movement studies with this object—an accessory to a table saw—and others, including a pane of glass and a piece of Ikea furniture. He has explained, “I was thinking about writing and performing, and why in the year 2020 I felt the need to make a box that I could stick my head into and cry.” In his art, McKenzie is more interested in asking questions than in providing answers. As he has put it: “I am always decidedly asking ‘Why this?’ Lately I am equally interested in asking ‘Why not?’ and moving without having come up with any answer.”

Jump Cut Jukebox is a highly stylized semi-fictional fly-on-the-wall documentary which was cobbled together from random bits of footage collected over a span of 10 months.

Professor Jim Al-Khalili investigates the amazing science of gravity. As well sculpting our universe, gravity also affects our weight, height and even the rate at which we age.

An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.