Gemini Man 2025 - Movies (Mar 26th)
Flight Risk 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
Chris Jansing Reports - (Mar 26th)
The Kelly Clarkson Show - (Mar 26th)
Four in a Bed - (Mar 26th)
Pawn Stars - (Mar 26th)
Help Im in a Secret Relationship - (Mar 26th)
Hunting History with Steven Rinella - (Mar 26th)
Wild Cards - (Mar 26th)
Family Feud Canada - (Mar 26th)
Selling Houses Australia - (Mar 26th)
Ishura - (Mar 26th)
Outback Opal Hunters - (Mar 26th)
The 11th Hour with Stephanie Ruhle - (Mar 26th)
Married at First Sight - (Mar 26th)
Alone Australia - (Mar 26th)
The Dog House Australia - (Mar 26th)
Pamelas Cooking with Love - (Mar 26th)
Deal or No Deal Island After Show with Boston Rob - (Mar 26th)
The Diamond Sleeping in the Sea - (Mar 26th)
Watch What Happens Live with Andy Cohen - (Mar 26th)
Tribunal Justice - (Mar 26th)
Familiar Phantoms is an experimental documentary short film about memory, history and trauma.
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
RE:MEMBER is a documentary, split into three chapters, that provides insights into the topics of memory, media, and history, specifically through the lens of two millennial participants. Through their testimonies and introspections, we start to see the rift between the media they were nostalgic for and the reality we currently live in. They also consider how our current attitudes towards media have shaped our previous environments and how we can change society to better our future generations.
This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.
“In Algeria, we are restoring order, what we mean by French order,” declared Michel Debré, Prime Minister, under the presidency of Charles De Gaulle, in April 1956. It was, of course, order colonial in defiance of the republican order, in Algeria as in Paris where, on October 17, 1961, Algerians flocking from suburban slums were massacred by the police of prefect Maurice Papon, while they were peacefully marching for the independence of their country. On October 17, 2001, a commemorative plaque was placed in Paris on the Saint-Michel bridge: "In memory of the many Algerians killed during the bloody repression of the peaceful demonstration of October 17, 1961." A surge of racial hatred, less than 20 years after the roundup of the Jews in July 1942. An Algerian, victim of this roundup, told us, holding back his tears, "I still have nightmares."
This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.
A live telecast of the public memorial service for the king of pop, Michael Jackson.
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.
Teta Kaabour is an 83-year old family matriarch and sharp-witted queen bee of an old Beiruti quarter. She’s been gripped as of late by the silence of her once-buzzing household where she raised children and grandchildren. Resigned to Argileh smoking and day-long coffee drinking on a now-empty balcony, Teta now invokes the deepest memories of her violinist husband who died twenty years ago. She claims a preparedness to re-unite with him.