Asie-Pacifique - la nouvelle poudrière

The story of the cross destiny of George Orwell (1903-50) and Aldous Huxley (1894-1963), the genius authors of the two most groundbreaking novels of anticipation of the 20th century: 1984 and Brave New World; two lucid witnesses of the maledictions of the modern world whose novels have found a considerable echo with our time.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

This film follows the lives of undocumented Vietnamese workers in Taiwan doing odd jobs to survive, after having been forced to flee their employers due to harsh working conditions and lack of medical care. How will living this way for more than a decade shape their lives?

Three young prodigies and their families exploring the popular and competitive world of piano playing in China.

As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.

A "Chinese" father reflects on the changing relationship of China and US during his trip to Beijing to retrieve his 3-year-old "American" daughter who has been stranded because of the recent "decoupling" of the two countries. Born in China and living in the American Midwest, filmmaker Yinan Wang attempts to unpack his own experience of how a transnational migrant family deals with the distress caused by identity, nationalism, and geopolitics.

After the end of the Cold War, the Baltic was viewed almost as a quiet backwater. A nice place to visit to see charming Hanseatic cities and sandy beaches. But since the war in Ukraine the Baltic sea, bordered by eight European Union countries as well as Russia, has become a hot spot of world geopolitics. And tensions are high.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

This program illustrates how video activists have developed sophisticated use of small format video, with poetic and powerful imagery, complex mixes of sounds and scores and an effective editing style that belies the urgency under which it is being made. The video movement in Taiwan has made successful use of home cassette distribution, via both mail and street vendors. The Green Team collective has pioneered in this effort with over 100 titles in distribution, documenting the struggles of farmers, students, workers and environmentalists.

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.