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**Fantastic film** _Originally posted on IMDb 21st December 2013._ This is the second time I have watched 'Satin rouge', and I thought I would write a short review. The first time I watched the film I became very intrigued about Tunisian culture; at the time I knew virtually nothing about the country. I was surprised to read about how much more liberal the country is compared to other Islamic countries in the Middle East/North Africa. For example the Government actually discourage the wearing of the hijab, and religion in general seems to be a bit more secular. The liberation of women in Islamic-dominated countries is not often seen so I enjoyed that aspect of this film in particular. The main reason why I chose to watch 'Satin rouge' initially is because of the beautiful Hiam Abbass, a seasoned actress, whom I have seen in many films now. I enjoyed the film more after watching the second time. What I love most about it is that there is nothing overly spectacular about it. The plot, the editing, the scenes. But that's what makes it so good as well, because it is simple and that adds a sense of realism. It is a lovely little depiction of Tunisian life and culture. Hiam was the perfect choice as traditional Lilia. It was amazing to see her character transform from a shy, plain widow with a bland and uninteresting life, into a more liberated, confident, expressive and beautiful woman with a new zest for life. Whilst we don't see much depth in some of the supporting characters (including Lilia's daughter), they all complement Lilia's character nicely. There are a couple of saucy scenes too! 'Satin rouge' goes against the usual grain of Islamic/Middle Eastern (or in this case, North African!) culture and society and for that, it is definitely a gem for those who appreciate Indie cinema.
Nicolas, an aimless adolescent who hasn't yet found his way in life leaves his grandparent's home, hitchhikes to a small town, and befriends, Charly an outspoken and slightly older prostitute, a red-headed beauty who appears to ply her trade in the same no-nonsense way she clears the breakfast dishes. She seems to find something endearing about Nicolas' mussed hair and dopey face, so she puts him up in the teeny trailer home that she maintains with such hilarious fussiness. As their unusual domestic arrangement evolves, each stumbles vulnerably into new emotional territory.
A mother and daughter dispute is resolved by the "Yaya sisterhood" - long time friends of the mother.
Fictional story based on Sarah Bernhard's visit to Brazil in 1905. The actress, experiencing a personal and professional crisis at the time, is induced by her personal Brazilian maid, Amélia, to make a performance in Rio de Janeiro. After arriving, she is forced to stand the company of Amélia's exotic sisters.
After her father’s sudden death, Feride takes on the role of the father in the family. Her mother, Nurcan, desperately tries to replace her lost husband with Feride, while her brother, İlker, starts to drift away from the family. Feride decides to break free, changing everyone’s fate.
Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.
Fumiko, mother of two children and wife of an unfaithful man, shares her family life with her budding vocation as a poet. The beginning of her successful literary career coincides with her divorce and her breast cancer diagnosis. In the last stage of her life, she meets a young journalist from Tokyo who wants to write a story on her life.
Mokichi is the widowed father of three daughters, with whom he lives on the premises of a temple since the war. All three daughters become involved in some sort of complicated relationships.
Pu Zhe, the younger brother of the Emperor of Manchukuo, marries Ryuko the daughter of an aristocratic family. To the surprise of all, a deep love between Pu Zhe and Ryuko develops and is put to the test when Japan loses the war.
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.