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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Comfortably the best 'Descendants' movie. 'Descendants 2' is the only one of the prior three that I didn't dislike, I didn't even like that 2017 release but it is at least better than the original flick (especially!) and 'Descendants 3'. This one is a spin-off and actually loses cast members from the trilogy, which should be a negative as they were the 'best' elements of that series. However, this cast are good. Kylie Cantrall is a positive addition as Red, as is Rita Ora as the Queen of Hearts. Other newcomers who are pluses are Brandy and Malia Baker, Jeremy Swift is decent too. It isn't just the onscreen talent that come out positively, the story and music (no cringe induced, miraculously) are too - they are much improved. I am surprised there weren't any major twists (unless they come in a sequel, of course), but that's not a negative. I'm also a fan of how colourful the movie looks, visually it's probably an improvement too. All in all, I'm surprised at how fairly enjoyable this was to sit through - something I hadn't yet experienced with this franchise. Based on the Letterboxd average rating that I see post-watch, it is much lower rated than the other three films. Typical! Probably explains why I liked it, perhaps what I previously found cringe is what makes 'Descendants', 'Descendants'? Each to their own and all that.
**I just watched Descendants 4 and it was an emotional rollercoaster that exceeded my expectations. As a long-time fan, it was hard not seeing the original main cast, especially Dove Cameron and the others who brought so much magic to the first three movies. I deeply felt the absence of Cameron Boyce, who played Carlos. The tribute to him at the beginning, showing his picture and seeing the tears on Uma's (China Anne McClain) face, was incredibly moving and a beautiful way to honor his memory. Despite the changes, the new characters brought fresh energy to the story. Rita Ora as the Queen of Hearts was a standout with her deliciously malevolent portrayal. I loved seeing her in this role; she brought a unique flair and intensity that made her character unforgettable. Another highlight was Red (Kylie Cantrall), who added a dynamic presence to the story and felt like a natural fit in the Descendants universe. The plot was engaging, the music fantastic, and the choreography spectacular. The film stayed true to the spirit of the Descendants while exploring new directions. Overall, Descendants 4 was a satisfying continuation of the beloved series. It balanced the bittersweet emotions of missing the original cast with the excitement of new adventures. This movie is a must-watch for any Descendants fan and a beautiful tribute to Cameron Boyce's legacy.**
A group of archaeological students become trapped in the past when they go there to retrieve their professor. The group must survive in 14th century France long enough to be rescued.
Caught at the window just before an air-raid warning (WWII) composer Paul tells how he met his wive Anni, a revue star and song writer, how he handled the courtship and the early years of his marriage, inspite of some professional conflicts - his operas were flops, while his wive had one success after the other - they finally found out how they could help each other.
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.
Brave new steps put Scott's career in jeopardy. With a new partner and determination, can he still succeed?
Houtaro and friends are suddenly attacked by Glion. As they struggle against enemies that appear one after another from a space-time gate, they discover that enemies have been sent from the future! To protect the present and the future, Houtaro and Rinne travel through time and space to the devastated future. Thus the final battle, with everything on the line, finally begins!
A girl who's sick of the social strictures of junior high is transformed into a grownup overnight. In this feel-good fairy tale, teenager Jenna wants a boyfriend, and when she's unable to find one, she fantasizes about being a well-adjusted adult. Suddenly, her secret desire becomes a reality, and she is transformed into a 30-year-old, but adulthood, with its own set of male-female challenges, isn't as easy as it looks.
12-year-old David is accidentally knocked out in the forest near his home, but when he awakens eight years have passed. His family is overjoyed to have him back, but is just as perplexed as he is that he hasn't aged. When a NASA scientist discovers a UFO nearby, David gets the chance to unravel the mystery and recover the life he lost.
This colorful adventure tells the story of an impetuous mermaid princess named Ariel who falls in love with the very human Prince Eric and puts everything on the line for the chance to be with him. Memorable songs and characters - including the villainous sea witch Ursula.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.