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Fans of a pre-_Terminator_ Bay are gonna love it, and I can see where it succeeds, but personally _Bad Boys_ makes me kinda uncomfortable. _Final rating:★★½ - Not quite for me, but I definitely get the appeal._
IDK, I really was never a big Bay fan, but I always sort of liked Will Smith, and Lawrence I only really knew from Def Comedy Jam so I was sort of 50/50 going in... ... but it was 90s Will Smith, when he was nothing but fun, so I went to go see it anyway. And the brilliant thing is that it stands alone as a decent action/comedy, so all said and done it was already a pretty good film that hearkened back to the 80s buddy cop movies everyone loves. But then it manages to peck, and mock, and spoof Miami Vice in pretty subtle ways through the film and it manages to do it without being a blatant Scary Movie style stupid spoof. It does it in a way that it can get it's digs in and still stand on it's own as a film, so as far as I'm concerned that makes it pretty north of brilliant.
Really funny, and action packed. One of my favorite movies of all time.
Action-packed!
Is this supposed to be an African American male version of “Cagney and Lacey”? I seem to recall that one of them was a trust-fund cop teamed up with the working class family one. Here, Will Smith is the suave and confident “Mike” who works with “Marcus” (Martin Lawrence) for the narcotics department. After an audacious raid on the police station relieves it’s evidence room of millions of dollars worth of heroin, it falls to this intrepid pair to to find out just who pinched it. How hard can it be? That’s a massive amount of drugs so only a few can deal with it. Well their contacts quickly provide them with a smoking gun, but not until it’s started piling up the bodies and meant that “Julie” (Téa Leoni) has to be put into witness protection. To further complicate thing, she thinks “Marcus” is “Mike” and so he has to play along and that means move into his pal’s apartment to the chagrin of both “Mike” and his own wife “Theresa” (Theresa Randle) to whom he spins a yarn about going undercover. What now ensues is one of those buddy comedies that has it’s moments, but is let down by some really banal writing and some baddies that are about as menacing as yesterday’s cold pizza. The last twenty minutes or so are quite lively, with loads of pyrotechnics and proof that a Porsche Boxster can do 0-60 in 4 seconds but otherwise this is more of a charm-free cousin of “Beverly Hills Cop” (1984) with some more earthy language. To it’s credit, it is the only time I’ve ever seen Leoni present us with anything remotely personable, but thirty years on the whole thing has dated and lost whatever lustre it had back when the semi-comic Lawrence was at the top of his game and the “Fresh Prince” was, well, fresh. It’s all watchable enough, but nothing especially original.
Shanghai, China, 1930. When young Shuisheng arrives from the countryside, his uncle Liushu puts him at the service of Bijou, the mistress of Laoda, supreme boss of the Tang Triad, constantly threatened by his enemies, both those he knows and those lurking in the shadows.
Before the adventures that made them legends, they were charming mastermind Robert Leroy Parker, alias Butch Cassidy, and crack-shot outlaw Harry Alonzo Longabaugh, soon to be known as The Sundance Kid. This is the 'prequel' of how they met, their first clumsy robberies, the heroic dangers that abound them together, the secret that nearly tore them apart, and the impossible train heist that made them notorious for life. Saddle up and ride with the showdowns, shootouts, bad guys and good times in the days before the fame when fun was the name of the game.
When a policewoman is unfairly accused of selling drugs, her three deadbeat brothers come to the rescue.
Con man Aldo breaks out of jail and seizes a car at gunpoint, taking its passengers—bumbling police officer Giacomo and nitpicking civilian Giovanni—hostages. An unlikely friendship blossoms.
A private eye investigates the apparent suicide of a fading porn star in 1970s Los Angeles and uncovers a conspiracy.
Synopsis: Agent Jayne: A Woman with a Mission” introduces audiences to the unfortunate reality of the youth drug trade, exposing the harrowing consequences of addiction and exploitation. As the story unfolds, viewers are plunged into a world of greed, danger, and moral ambiguity. Written and directed by Waqar Peter Gill, the concept of Agent Jayne is based on real events and personal visual experiences. The film aims to emphasize a prudent issue of substance abuse amongst teens, which portrays the use of candy-like opioids. The film is a blend of social awareness amongst the youth and woman empowerment. Director’s Quote: Agent Jayne is a film designed to raise the profile of local upcoming talent, as wella s create an awareness of drug abuse amongst the youth. As a result of the release of Agent Jayne, we can recognize the contributions of all individuals involved in this project.
Henry, an uptight businessman who sometimes acts with questionable ethics, nevertheless rejects Ron, a scam artist who wants a partner. Ron won't let up and finds a lever to blackmail Henry, whose daughter Gina has killed a pedestrian in a hit-and-run car accident. To protect Gina, Henry disposes of Ron, but a murderous sociopath witnesses this crime. Henry and this stranger bond in an odd way, telling stories about their childhoods. Henry makes a deal with the stranger, helping to get rid of the body of one of the stranger's victims. Will this act seal a bargain between the two men and get Henry off the hook, or will the stranger threaten Henry and Gina?
Marcus and Mike are forced to confront new threats, career changes, and midlife crises as they join the newly created elite team AMMO of the Miami police department to take down the ruthless Armando Armas, the vicious leader of a Miami drug cartel.
The story of hard-luck Melvin Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes.
Two "down on their luck" buddies are convinced by a third to take a vacation. Only after landing in the third world country do they realize that they are there to attempt to capture the United States' most wanted criminal - with no military training.
After her husband leaves her, a woman travels to London for the funeral of the pop star, Victor Fox, she's adored all her life. There, she meets the lover of the dead pop star, and convinces him to come back to Chicago with her to figure out who killed the singer.