Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
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All In with Chris Hayes - (Feb 26th)
The Rachel Maddow Show - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
Mythic Quest - (Feb 26th)
Prime Target - (Feb 26th)
Love You to Death - (Feb 26th)
Berlin ER - (Feb 26th)
Moonshiners - (Feb 26th)
Fixer to Fabulous - (Feb 26th)
Finding Your Roots - (Feb 26th)
Night Court - (Feb 26th)
FBI- International - (Feb 25th)
The Fear Clinic- Face Your Phobia - (Feb 25th)
Independent Lens - (Feb 25th)
Top Guns- Inside the RAF - (Feb 25th)
The Bold and the Beautiful - (Feb 25th)
Tipping Point - (Feb 25th)
Come Dine With Me- South Africa - (Feb 25th)
Beyond the Gates - (Feb 25th)
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Still to this day, the entry with the creepiest looking Jason. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
***Somewhat fun and entertaining, but adds campiness and bad writing*** The first two films from 1980-1981 are serious in nature with the expected antics of youths at a remote camp, but the franchise introduced a campy element with this third installment, which pretty much plagued the rest of the series until the reboot in 2009. Not that I'm complaining much, as these films are only quasi-believable anyway. Still, this is the main detriment of "Part III,” released in 1982. The opening credits song tips the viewer off that this isn't a wholly serious horror film (like the first two), which is compounded when a couple of the protagonists meet some sinister bikers at a convenience store in the boonies, which takes place about 25 minutes into the story. These hoodlums are too cartoonish to take serious and so it's hard to take the horror seriously either. This doesn't mean it's not entertaining in some ways, just that it's my least favorite installment. The dubious writing doesn’t help. For instance, why does Fox go into the barn? Speaking of that dang barn, why on earth are so many characters preoccupied with it? It’s like the writer wanted to come up with any possible excuse to use the barn as a focal point. Also, why does Vera leave Shelly to go outside and hangout by herself? I realize she probably wanted to get away from the pathetic guy, but she informs him that she’s going to go outside with a sense of purpose and come back in, but she really doesn’t do much outside. Sequences like this reflect lame writing. Another noticeable difference between Part III and the two previous films is that, although the story takes place in the area of Crystal Lake, the film was shot in Southern Cal instead of the East Coast, specifically Santa Clarita, CA, and nearby Melody Ranch (where the barn is located). The geography is obviously dryer and the contrast in setting is too glaring. While it could be argued that the different environment provides a nice change of tone, the setting seems too one-dimensional. As usual with the series, the film thankfully features a nice assortment of females: three white girls, a Hispanic and a black woman, the latter being the biker chick, Fox. It's hard to pick a favorite, but the main protagonist, Chris, played by Dana Kimmell, is probably it, followed by the stoner chick, Chili; not to mention Debbie and Vera (Debbie has a quality bikini scene). BOTTOM LINE: Part III is entertaining in some ways and is notable for switching the filming locations to dry Southern California, not to mention Jason is bigger and more imposing than in Part II and he finally acquires his iconic hockey mask. Yet it’s my least favorite of the franchise due to the goofy elements, the subpar writing and the limited setting with too much focus on a freakin’ barn. The film runs 95 minutes. GRADE: C
Decided to get in one more Friday the 13th movie and this one reminded me why it's not high on my list in the series, though I liked portions of it, just nothing involving Shelly and watching it in 2D, the shots made for 3D are pretty annoying. I will say, I did like the lead actress and I'm a fan of the hockey mask Jason. **3.0/5**
Emma, the lucky recipient of a recent heart transplant, sets out to find the identity of her donor only to learn that it was her estranged cousin, who may have been murdered.
Oscar, a young boy, commits a noble murder and is forced to runaway from his rural hometown, leaving behind his best friend, Loux. He escapes to the nearest city, where he is inducted into a gang of child street thieves. His innocence slips away as he is introduced to love, murder, and corruption. 15 years later, he has forgotten his past and become the leader of this band of lost children. When Loux moves to the city in search of work, she takes a job with a struggling private investigator. Stumbling upon Oscar's missing child report, she takes it upon herself to find the boy who saved her life.
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creatures from reaching Earth.
Reincarnated 30 years after being killed in a suspicious on-set fire, a small-time actor is determined to punish the person who ignited the blaze.
A killer is on the loose, and an FBI agent sifts through clues and learns that the bloodthirsty felon's victims of choice are other serial killers.
Special Agent Jennifer Marsh works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.
While drying out on the West Coast, an alcoholic hit man befriends a tart-tongued woman who might just come in handy when it's time for him to return to Buffalo and settle some old scores.
While vacationing in St. Moritz, a British couple receive a clue to an imminent assassination attempt, only to learn that their daughter has been kidnapped to keep them quiet.
A man, dedicated to his family, discovers what the true meaning of love is as he embarks on a horrific journey through the wilderness.