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Ingmar Bergman's 1955 film KVINNODRÖM ("Women's Dreams", released in the English-speaking world as simply "Dreams") has two interwoven plots that each involve a woman coming face to face with her aspirations to love and romance and being disappointed. Susanne (Eva Dahlbeck) runs an agency for fashion models in Stockholm, but she is distracted from work by an obsession with a married man (played by Ulf Palme) whose mistress she once was. Though the affair has been cut off, Susanne continues to stalk him. Meanwhile, one her models, Doris (Harriet Andersson) is seduced by a rich old man (Gunnar Björnstrand) who identifies her love of expensive clothes and jewelry as her weak spot. The 1950s were anni mirabili for Ingmar Bergman, when he was increasingly cementing a reputation as one of the finest filmmakers in the world. Though this 1955 effort came out right in the middle of such legendary achievements as "Summer with Monika", "Sawdust and Tinsel", and "The Seventh Seal", it has never been considered one of Bergman's better films, and there hasn't even been much of a push to recognize it as a lost masterpiece like some other lesser-known works of this period. The plot revisits already well-worth themes. Plus, I was very underwhelmed by the initial minutes of the film, which sinks into pure melodrama at one point as Susanne agonizes on a train and considers suicide. The film is shot in a dry, realistic style and lacks the dazzling effects that Bergman had already begun to employ. However, the film is certainly worthwhile for established fans of Bergman through the performances he evokes from the actors. Dahlbeck, who was considered quite a great talent and beauty in her day, leaves me cold, but Ulf Palme elicits simultaneous sympathy and disgust as the henpecked husband that Sussane has an affair with. Inga Landgré's small but climactic part as the man's wife thrills with her composed delivery of devastating lines. The real stars of the film, however, are Andersson and Björnstrand. Harriet Andersson was a sex bomb, and often played roles that capitalized on that, but here her ditzy Doris is a full-fledged character of her own, different from Andersson's appearances in other Bergman films. She also knows how to drive so much of the interpersonal action with her deft facial expressions alone. Björnstrand is admirable for the charm and grace he shows as the old seducer, and with poise he gradually shows the cracks in the façade as their fling might not have been a good idea after all.
We’ll Take Manhattan explores the explosive love affair between sixties supermodel Jean Shrimpton and photographer David Bailey. Focusing on a wild and unpredictable 1962 Vogue photo shoot in New York, the drama brings to life the story of two young people falling in love, misbehaving and inadvertently defining the style of the Sixties along the way.
It is a reincarnation story about the love between Leela and her lover, which is left incomplete because one of them has been murdered. The story comes to circle after 300 years; when Leela has taken birth as Meera and her lover's character is also reborn.
The female wrestlers of the WWE hit the streets of NYC. This release contains photo shoots of the girls, interviews, a swimsuit contest, a lingerie pillow fight, and the girls stopping traffic and turning heads on 5th Avenue.
Henning is a fashion photographer driven by visions of artistic glory. He is encouraged by a literary agent to produce a volume of erotic nudes and works to create the perfect layout with his favorite model, Leslie. All seems to be going well until the mysterious Joyce appears; dark and sensual, Joyce plays games with the photographer's ego, driving a wedge between Henning and Leslie and seducing one of his other models. Blinded by his own ambitions, Henning is unable to see the ruinous web that Joyce is weaving
Lou Andreas Sand, a once famous model, recalls her past as she tries to make success in the modeling world of New York, her stressfull workdays, her affair with Mark, an advertising executive, her friendship with photographer Aaron, and her downward spiral into ruin.
Silvia is young, beautiful and rich. When her husband goes on a business trip, she starts working as a secretary for Margaret, a famous film star. Margaret appears to have no problems giving her what she wants and turns her into a sex slave- little by little, she subjects herself to increasingly serious humiliations in a masochistic relationship.
Brie Traverston is up for partner at her firm if she can successfully coordinate a Christmas wedding reshoot and ignore all the feelings that come with working with the one-that-got-away Eddie Chapman and his possibly new girlfriend Isabella.
An American officer scours Britain in search of his dead brother's girlfriend and becomes involved in a jewel heist.
When emerging fashion model Emma gets a chance to pursue her dream of becoming an international top model, she leaves her everyday life in Denmark behind, and moves to Paris. At a photo shoot in her new hometown, she meets the attractive photographer Shane White and they fall in love. But their relationship soon turns into a dangerous obsession for Emma.
Wisconsin farm girl Elizabeth Carlson leaves family and her English teacher lover behind and escapes to New York. There she soon makes a career for herself as a fashion model. During a vernissage she's approached by a mysterious man whose motives are unclear...
All he has is smell and a D-line body but is devoted in catching the bad guys. Detective Cha (Kang Ji-hwan) takes the cover of a model on a runway to solve a case.
