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Ingmar Bergman's 1955 film KVINNODRÖM ("Women's Dreams", released in the English-speaking world as simply "Dreams") has two interwoven plots that each involve a woman coming face to face with her aspirations to love and romance and being disappointed. Susanne (Eva Dahlbeck) runs an agency for fashion models in Stockholm, but she is distracted from work by an obsession with a married man (played by Ulf Palme) whose mistress she once was. Though the affair has been cut off, Susanne continues to stalk him. Meanwhile, one her models, Doris (Harriet Andersson) is seduced by a rich old man (Gunnar Björnstrand) who identifies her love of expensive clothes and jewelry as her weak spot. The 1950s were anni mirabili for Ingmar Bergman, when he was increasingly cementing a reputation as one of the finest filmmakers in the world. Though this 1955 effort came out right in the middle of such legendary achievements as "Summer with Monika", "Sawdust and Tinsel", and "The Seventh Seal", it has never been considered one of Bergman's better films, and there hasn't even been much of a push to recognize it as a lost masterpiece like some other lesser-known works of this period. The plot revisits already well-worth themes. Plus, I was very underwhelmed by the initial minutes of the film, which sinks into pure melodrama at one point as Susanne agonizes on a train and considers suicide. The film is shot in a dry, realistic style and lacks the dazzling effects that Bergman had already begun to employ. However, the film is certainly worthwhile for established fans of Bergman through the performances he evokes from the actors. Dahlbeck, who was considered quite a great talent and beauty in her day, leaves me cold, but Ulf Palme elicits simultaneous sympathy and disgust as the henpecked husband that Sussane has an affair with. Inga Landgré's small but climactic part as the man's wife thrills with her composed delivery of devastating lines. The real stars of the film, however, are Andersson and Björnstrand. Harriet Andersson was a sex bomb, and often played roles that capitalized on that, but here her ditzy Doris is a full-fledged character of her own, different from Andersson's appearances in other Bergman films. She also knows how to drive so much of the interpersonal action with her deft facial expressions alone. Björnstrand is admirable for the charm and grace he shows as the old seducer, and with poise he gradually shows the cracks in the façade as their fling might not have been a good idea after all.
Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.
Jackie is a divorced mother of two. Isabel is the career minded girlfriend of Jackie’s ex-husband Luke, forced into the role of unwelcome stepmother to their children. But when Jackie discovers she is ill, both women realise they must put aside their differences to find a common ground and celebrate life to the fullest, while they have the chance.
Flighty Emily "Jacks" Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer's assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
An aspiring designer from the slums of Chicago puts herself through fashion school in the hopes of becoming one of the world's top designers. Her ambition leads her to Rome spurring a choice between the man she loves or her newfound success.
The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion...
Good Morning, Karachi is the story of a young girl (Amna Ilyas) who wants to be a model while struggling towards her dream against the backdrop of the Benazir Bhutto assassination.
A super-model begins to question her glitzy, frenetic lifestyle when she awakes after a all night party to find a strange man in her bed. She sees a surfer riding the waves below, follows him to his tented camp on the banks of a river. 'Leatherlip' earns a living making leather goods and roaming around on an extraordinary 'trike' with his worldly goods and surfboard strapped on an overhead rack. They fall in love and she abandons her previous life. Then inexplicably she disappears. Leatherlip sets off on a cross-country odyssey to find her, knowing only that her father lives on a boat on the West Coast...
A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.
The movie follows four women of different generations and their struggle in the cold world of modeling.
