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With an almost innumerable number of subplots, it's not exactly a comedy, but it does have its own moments of "screwballism". Moments that make you want to shake your head in incredulity. Moments that make you wonder, "What on Earth were the writers thinking?" Moments that make you wonder, "What on Earth was Mr. Lionel Barrymore thinking, agreeing to an almost complete loss of his dignity?" Moments that you just have to smile at and laugh off. Either that or grab the remote and click the power button, but I just happen to be one of the former class. It's a very ridiculous entry into the long-running MGM series, and one that might even merit some sneering and a very low opinion on the part of some film connoisseurs. But if, like me, you're inclined to be forgiving toward films like this, then maybe you won't mind. One of the flaws here is that, since the central plot deals with some unfinished business from the earlier film "Calling Dr. Gillespie", the actor who originally played the psycho of the story is replaced by one not nearly as creepy or effective. One of the silliest scenes that stood out to me is when some inmates at a prison decide to riot and make a break for it. Their get-away vehicle is an old pickup truck with an unreasonably small bed. One of their hostages is Dr. Gillespie, and I'd love to know what was going through their heads as they're preparing to make a break for it. Was something like "Oh, great idea! Let's take Gillespie and throw him in the back of the pickup!"? Well, that is what they did, and I hope they left his wheelchair in a handicapped spot! Would I recommend? If you're already a dedicated fan of the series, go right ahead. If not, proceed with caution and an open mind.
Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished. His cat Greffier being the only one he still gives affection to, he becomes the object of Clemence's anger.
A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.
Lena lives a safe and happy life with her husband Alf and together they run a fish shop. No one who sees her can imagine what kind of hell she has gone through with her former husband Hannes. One day, her life turns upside down as a random meeting with Hannes leads to an emotional chaos for her. She thinks he has changed, but no one else wants to believe that Hannes is a new and better person. At the same time, Alf can only look at how his beloved Lena is drawn to Hannes who's been hurting her so much before.
1920. Jean Rezeau and his elder brother were living happily in their family estate in Brittany, until the death of their grandmother. The return of their mother, a worthy descendant of fairytales' witches, brings an all new atmosphere to their home.
Four elderly men (Fons, Lull, Nuckes and Jängi) are fed up with being walked all over and treated like children. Together with their friends, they plan a future without old people's homes. But that's easier said than done.
Infamous burglar "The Bat" commits a daring jewelry theft despite heavy police presence. Soon after, a bank theft occurs, which may be the work of the criminal as well. Meanwhile, Cornelia Van Gorder has various people arrive at her old mansion, including her niece, Dale, a bank employee, and police detective Anderson. When guests start turning up dead, Cornelia begins to suspect that The Bat may be lurking around the estate.
Claudio, a womanizer, contracts AIDS due to his promiscuous lifestyle, and, in the hospital, he meets Mauricio, a homosexual Evangelist who is also infected and will discover Jesus to Claudio.
During a lunar eclipse, seven friends gather for dinner and decide to play a game in which they must share with each other the content of every message, email or phone call they receive throughout the evening.
A taxi driver is found dead, and Hyun-woo, the only witness, charged with a murder and serves 10 years in prison. While offering pro bono services, a lawyer Junyoung meets Hyun-woo, and they begin their journey to prove his innocence.
Michael Haneke's adaptation of Franz Kafka's unfinished novel Das Schloss. K arrives in a remote village a stranger. In attempting to establish himself there, he enters the nightmarish world of the castle bureaucracy.
It's a sweltering summer, but Jung-won, a terminally ill, thirty-something photographer, is already in the winter of his life when he begins a tentative romance with a young traffic cop who doesn't know about his condition. Is their relationship doomed before it even begins?
