Jia

In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.

At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.

A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.

Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.

Tom, a passionate ‘brother’ of his fraternity, is charmed by the promises of high social status and alumni connections that open doors. But as Annabelle, a classmate outside his social circle, enters his life, his devotion begins to falter. Once the scheduled hazing of new fraternity members comes to a disturbing head, Tom faces the decision of a lifetime.

An unconventional thinker helps a budding cinematographer gain a new perspective on life.

Young love blossoms amongst a group of Athenian teenagers during a boisterous summertime idyll, in the raw, romantic and anarchic feature debut from Greek New Wave director Sofia Exarchou. One of the most eagerly awaited films to come out of Greece in recent years, Sofia Exarchou's feature debut is a coming-of-age story that presents a summertime idyll from the perspective of Athenian youths. It allows us to see the fragility they try to conceal, and at the same time shows them to be unwaveringly resilient despite the socio-economic troubles that affect their destinies.

Overeducated and underemployed, 28 year old Megan is in the throes of a quarterlife crisis. Squarely into adulthood with no career prospects, no particular motivation to think about her future and no one to relate to, Megan is comfortable lagging a few steps behind - while her friends check off milestones and celebrate their new grown-up status. When her high-school sweetheart proposes, Megan panics and- given an unexpected opportunity to escape for a week - hides out in the home of her new friend, 16-year old Annika and Annika's world-weary single dad Craig.

Two teenage boys escape an unhappy home, embarking on a perilous journey of self-discovery that takes them deep into the Newfoundland wilderness.

Good Morning, Karachi is the story of a young girl (Amna Ilyas) who wants to be a model while struggling towards her dream against the backdrop of the Benazir Bhutto assassination.

Liv Sandor, 38, following an argument with her boyfriend, sets off to wander the city, observing passers-by and reminiscing about her past loves. In all her relationships, there was always a turning point, when things started going downhill. On the streets of Zurich Liv faces her fears, joys and demons. In her third feature film, Swiss director Anna Luif tells the tragi-comical trajectory of an independent woman who learns to love on life’s emotional rollercoaster. A rhythmic, colourful, collage-like journey into the mind and soul of modern women.