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Ingrid Bergman is "Irene" married to "Albert" (Mathias Wieman) but has been having an affair with the much younger "Erich" (Kurt Kreuger). The relentlessness of the secret-keeping takes it's toll and "Irene" tries to end it all. Her secret is not quite as safe as she had thought, though - and she soon discovers that opportunist "Johanna" (Renate Mannhardt) knows the score and wants 3,000 Marks to keep silent. Will that do the trick, or is that just the start of an even more slippery slope? This is short and sweet - reasonably paced, with decent characterisations from Bergman and her grasping nemesis Mannhardt, but the story itself it overly simple and lacks any sense of jeopardy. We always know what is going to happen - and although Roberto Rossellini does try to inject the merest hint of menace, Bergman is all just too "nice" to be convincing. She has the bad temper of a field mouse.
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.
Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.
An ex-thief is accused of enacting a new crime spree, so to clear his name he sets off to catch the new thief, who’s imitating his signature style.
When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
Middle-class girl gets involved with a jealous drug dealer, who wants to kill all of her previous boyfriends.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
