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Year 1943. A group of soldiers, carrying an injured comrade, are trying to reach the hospital.
Story depicting the national liberation struggle of the Albanian people against the Italian and German invaders during World War II.
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
Nebi Surreli lives in poverty along with his mother. Doing small jobs to earn a living, he also helps his town's communist unit.
In Fascist Albania 1942, Albanian partisans will do all they can to remove the Italian fascists from their country.
Vlash Zaka is a poor villager who secures his living by capturing wild horses in the forest. His brother has killed an Italian spy, so Vlash is under surveillance and his life is in danger.
In 2013, Selim Yildiz spent 29 days with Kurdish soldiers (PKK) and made his first documentary 29.
This intimate documentary follows a group of Syrian children refugees who narrowly escape a life of torment and integrate into a foreign land.
In the 1990s, fearing persecution from the Turkish government, about 2,000 Kurdish refugees of Turkish nationality came to settle in a suburb of Tokyo. Here live Ohzan (18), Ramazan (19) and Memet (38). This documentary focuses on these three young Kurds in Japan.
