As Filhas do Fogo

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Puppet animation of Bert Ambrose and His Orchestra performing. A Puppetoon animated short film.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

After the sudden death of her mum, Fflur grapples with her grief, and a geranium that has taken on the embodiment of her mother. As time moves on it's clear that both her and the plant are lost in time. Can she bury her sorrow and learn to live again?

Jude wasn't like the rest of the kids on his street - he spent most of 1994 in a pair of his mum's tights, pretending to be Christopher Dean, much to his dad's annoyance. When dad finally snaps, the result is somewhat unexpected.

A young man calls an old friend to pick him up from the airport. She does so, and they spend a long cold night in each other's company; driving around, listening to music, and trying hard not to grow up.

Camelia, an escort with a troubled past, is newly employed at an erotic massage parlour in eastern Montreal. Met coldly by her competitive new colleagues, she struggles to establish a clientele while maintaining her dignity.

A woman and boy visit an ominous graveyard.

The couple, Mariam (Marta Hazas) and Ale (Juan Caballero), are going to try an old sexual fantasy to solve their sexual problems: making a threesome with a stranger. An unknown person, Él (Sergio Mur) is the key piece of an erotic triangle where nothing goes as planned. Erotic drama, a story where feelings and sex mingle to form a web of emotions where not everything is what it seems.

Minutes before his death in the general ward of a city hospital, Ulises, a terminal patient in his fifties, reconstructs the fragments of his life. Lauro, a young and smiling nearby patient accompanies him on his final agony, reliving all Ulises' missed opportunities.