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At the risk of sounding snarky, the title of this debut feature from writer-directors Lise Akoka and Romane Gueret could be interpreted in multiple (and unflattering) ways. Suffice it to say, however, this documentary-style drama about a filmmaker seeking to cast his production with nonprofessional actors from a low-income neighborhood (i.e., ghetto) in suburban northern France presents a haphazard mélange of story threads that seem more meandering than insightful or enlightening. The four protagonists who are selected for this fictional work become disapprovingly known as “the worst ones” for supposedly having the most notorious reputations in the neighborhood (though, when honestly compared to many of their contemporaries, they don’t come across as significantly different from the rest of the locals). While this offering seems to be attempting to convey how their everyday existence mirrors that of the characters they’re portraying, that goal is never clearly delineated nor effectively achieved, making viewers wonder what’s really going on in their off-screen lives (not to mention in the parts they’ve taken on in a story that seems to make little sense). To cloud matters further, in an attempt to show (rather than tell about) what the lives of these youthful actors are like, the picture genuinely feels more improvised than structured. What’s more, claims that this film offers a gritty, groundbreaking look into the challenge-filled lives of the economically underprivileged are vastly overstated, given that this territory has already been covered (and better) numerous times before in such other French releases as “Girlhood” (2014), “Dheepan” (2015), “Les Misérables” (2019) and “Gagarine” (2020), not to mention in an array of releases from many other countries. This is all compounded by the fact that much of the narrative is tedious, unfocused, imbalanced, boring and even silly at times. Indeed, how this release managed to capture the 2022 Cannes Film Festival Un Certain Regard Award genuinely escapes me. The underlying aim behind this picture may have arguably been a noble one, but its poorly planned execution and jumbled final cut fail to make that apparent, undoing whatever good might have been intended. Skip this one.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
The wife of a famous composer survives a car accident that kills her husband and daughter. Now alone, she shakes off her old identity and explores her newfound freedom but finds that she is unbreakably bound to other humans, including her husband’s mistress, whose existence she never suspected.
Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.
Zouhair militates with these friends to participate in a demonstration against the war, but they have other priorities... "The New Horizon Competition" Prize at the Al Jazeera International Documentary Film Festival 2010.
Nora, an actor, and her sister Agnes, are grieving the loss of their mother when their father Gustav reappears in their lives after a long absence. Gustav, a once-celebrated filmmaker, has written a script for a comeback movie and offered the main part to his daughter Nora, but she categorically refuses the role. During a career retrospective in France, Gustav meets an adoring Hollywood star and offers her the part intended for Nora. When the film starts shooting back home in Norway, Gustav seizes the opportunity to repair his bond with Nora and her sister.
Sophia, a new high school student, tries to make friends with Barbara, who tells her that “she kills giants,” protecting this way her hometown and its inhabitants, who do not understand her strange behavior.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.