Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
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The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Harley Quinn - (Feb 20th)
Hollywood Squares - (Feb 20th)
Is love enough to sustain a relationship? It can certainly provide a powerful bond to keep partners together, but is that sufficient to maintain that connection when other issues arise (e.g., day-to-day life challenges, disagreements and disconnects about fundamental goals and aspirations, cohabitation conflicts, a growing lack of sexual intimacy, etc.)? These matters often come to a head when certain turning points in life are reached, such as retirement, especially when each partner holds different views about what that next stage of life is supposed to be all about. These are among the challenges faced by Henri (Olivier Gourmet), a recently retired Brussels policeman, and his longtime partner, Thom (Dave Johns), a former drag queen and seller of secondhand merchandise who now spends most of his time as a househusband. Thom has been looking forward to this new phase in the couple’s lives, but Henri has been pulling away, seeking to follow a more individualized path, one that even includes encounters with other men (a practice he doesn’t try to hide, either). Needless to say, Thom is heartbroken and tries to reingratiate himself into his husband’s life but to no avail, an outcome that turns their relationship bitterly (though often hilariously) contentious. So what does the future hold for this long-term duo? It looks like divorce is certainly not out of the question. But is that what they really want? These are questions insightfully, honestly and sensitively explored in writer-director David Lambert’s fourth feature effort, a bittersweet romantic comedy-drama about what can happen when “things change.” It thoughtfully examines the soul searching and reevaluations that come with retirement, much the same way as in the Swiss comedy-drama “Golden Years” (“Die goldenen Jahre”) (2022), as well as the open hostility that can emerge between partners, as depicted in the dark comedy classic “The War of the Roses” (1989). The picture’s meticulously assembled, well-paced screenplay effectively examines all angles of this scenario through a narrative that’s touching, wickedly funny, heartbreaking and heartwarming all at the same time. This is backed by the superb performances of the film’s two leads, as well as the heart-tugging presence of an adorable police dog named Sherlock, who plays an integral role in how this story unfolds. This release is handily the best offering I screened at this year’s Reeling Film Festival (if not in all of the years I’ve been attending the event), as well as one of the best movies I’ve ever watched about relationship discord, regardless of sexual orientation. As the old song “Breaking Up Is Hard To Do” so astutely observes, the film definitely follows suit when it comes to that sentiment and does so with an eloquence and realism rarely seen on screen. Couples of all kinds faced with issues like these should give this one a look, as it will ultimately probably provide more hands-on insight into how to address their problems than any course of marriage counseling could ever do. Like the creatures cited in the film’s title, “Turtles” draws attention to the issues often encountered in these circumstances – and candidly shows that partners can’t afford to avoid confronting them by simply hiding in their shells.
A visual album. A story of falling apart and putting yourself back together again as the world does the same. It is a story about personal death and rebirth, mental health, dealing with the tragedies of the world, queer love and finding community while featuring two of the most important places to the artist, MALINDA- Brooklyn and the west coast of Ireland.
Olivia, an undocumented Filipina immigrant paranoid about deportation, works as a caregiver to a Russian-Jewish grandmother in New York. When the man she’s secretly paying for a green card marriage backs out, she becomes involved with a slaughterhouse worker who is unaware that she’s a trans woman.
Estranged twins Maggie and Milo coincidentally cheat death on the same day, prompting them to reunite and confront the reasons their lives went so wrong. As the twins' reunion reinvigorates them, they realize the key to fixing their lives may just lie in repairing their relationship.
Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.
On the same day, Andrei's wife Nina asks for a divorce, his colleague Natasha tells him she's attracted to him, he's assigned a new project under the direction of Philip (a well-dressed, authoritative, and even arrogant stranger who keeps touching him), and he fights a gang of homophobes to protect a young gay man, Oleg. The next day, Philip takes Andrei away from the office on an odyssey into a space that is charged with spirituality and homoeroticism. Philip is no businessman, and the disclosure of who he really is forces Andrei into a series of choices that involve Natasha, Nina, belief, and love.
Eighteen-year-old Alex is in the throes of his transition. When his best friend abandons a joint venture to assert their identity he’s forced to confront his anxieties before entering the unknown alone.
The first volume of an international collection of LGBTQ short films focusing on men. The 5 short films are: Just Past Noon on a Tuesday (2018); The Mousetrap [La tapette] (2016); The Storm [La tempête] (2017); P.D (2014); Neptune [Netuno] (2017).
Through the unlikely mediums of dance, graffiti, and elementary school dress-up, these French boys young and old show that whether it's about coming out or getting the guy - you had better do it in style. The short films are: Fairyocious [Féeroce] (2019); The Graffiti [Le graffiti] (2019); Eva (2016); A New Breath [Second souffle] (2021); Masculine (2018); The Tightrope Walkers [Les équilibristes] (2017).
Tennis player turned coach Tashi has taken her husband, Art, and transformed him into a world-famous Major champion. To jolt him out of his recent losing streak, she signs him up for a "Challenger" event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi's former boyfriend.
Holden and Banky are comic book artists. Everything is going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
Two men-a gay, HIV-positive artist and an adopted garbage collector-struggle in the face of stigma and loss to find meaning in work, love, and family.