Sex Stars

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

Short film about an express steamer

Bhat, a member of the Moi tribe in Indo-China, loves Dhi, but her father Khan does not believe Bhat is worthy of his daughter, as he lacks hunting and warrior prowess. The tiger, Kliou, has been attacking Moi villages, taking people and livestock. During a hunt, Khan is severely mauled by the claws of Kliou. Witch doctors claim that Khan can only be saved by Kliou experiencing a similar bloodletting.

During the COVID-19 pandemic, two college students set out to make a revolutionary television show. The pilot episode was uncovered and presented alongside exclusive interviews with the cast and crew.

In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.

Jirón is the story of “Jirón de niebla” (Shred of Fog), the last film made by Mexico’s duque of horror, Carlos Enrique Taboada, which, for several reasons, was never shown or premiered. The mistery behind the disappearance of this film will be revealed in a series of interviews with the people who worked on it.

In 2024, the long-thought lost 16mm reels of Tom Petty in Cameron Crowe’s first film, “Heartbreakers Beach Party”, were finally found. The classic ‘80s documentary captures Tom Petty and the band in 1982-1983 as they finish, promote, and tour around the “Long After Dark” album (their final with legendary producer Jimmy Iovine). After its initial airing on MTV in 1983, the film was deemed too experimental and abruptly pulled from the air. In the more than 40 years since, it has become folklore to fans, musicians and within the entertainment industry — even credited with inspiring scenes in Spinal Tap.

One of the pictures to be seen in the machine, for example, was that of a blacksmith shop in which two men were working, one shoeing a horse, the other heating iron at the forge. One would be seen to drive the nail into the shoe of the horse's hoof, to change his position and every movement needed in the work was clearly shown as if the object was in real (life). In fact, the whole routine of the two men's labor and their movements for the day was presented to the view of the observer.