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In 1966, Senegalese author Ousmane Sembene was among the first Black Africans to shoot a feature film with La Noire de... ("Black Girl"). It deals with the plight of Diouana (Mbissine Thérèse Diop), a Senegalese girl who is hired on as a nanny by a French expat family in Dakar. Initially she is elated to have work, and moreover, work for the country's white elites. After the family returns to France and takes Diouana with her, she finds herself nearly a prisoner, as what should have been an ordinary job with some dignity to it becomes menial drudgery far beyond the initial agreement. Though the plot is a straightforward drama, Sembene also lends the film a metaphoric dimension to confront the enduring legacy of colonialism in the newly independent Senegal, the desire of some Africans for revenge against their erstwhile colonial rulers, as well as political tensions within Africa's ostensibly representative democracies. These elements are, however, so subtle that many viewers without a knowledge of the immediate post-colonial era may miss them. Yet with its 55-minute running time that awkwardly falls between a short and a typical feature, La Noire de... does feel slight. It is shot at a level of quality comparable to any French film of this era (some awkward jump cuts and bad dubbing aside), but it can be seen as a mere tech demo for the more ample, ambitious films that African directors would go on to make in subsequent years.
Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.
After being discharged from a mental institution, a man is tasked by his mother to revive a struggling supermarket in Limoges. He must navigate unexpected responsibilities and the challenges of managing the store's staff.
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.
A woman goes to a psychiatrist to find out about the strange dreams she's been having. It turns out that they're not dreams at all, but a plot by her husband to get her money and kill her.
Capri, the owner of a motel, arranges for husbands and wives to meet their lovers in privacy. When a woman fails to show up for a tryst, Capri herself substitutes for the woman. She joins in an orgy with two men and two women and watches a young couple make love for the first time.
Recently widowed mom Brenda fights to protect her family during a harrowing road trip when a murder and a missing bag of cash plunge them into danger.
Set in New Jersey in 1938, "Drop Dead, Gorgeous" follows the stories of high-society woman Irene Moretti and private investigator Miles Marshall. After Irene's husband, mob boss Luca Moretti, is murdered, Irene hires Marshall to help her flee the country. Meanwhile, her husband's mob connections double-hire Marshall to track down the killer, creating problems for themselves, Irene, and ultimately for Marshall himself. This twenty-minute short film takes inspiration from the classic noir tradition.
On a fishing trip, Adel takes his three friends, and while fishing they find a heavy bag. The three rush to pick it up, and find a shipment of drugs inside. Three gang members watch the situation from a distance, and when the friends reach the bag, the gang members intervene to seize the bag. At this point, police officer Lotfy appears and tries to arrest them.