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Gabby, the waitress in an isolated Arizona diner, dreams of a bigger and better life. One day penniless intellectual Alan drifts into the joint and the two strike up a rapport. Soon enough, notorious killer Duke Mantee takes the diner's inhabitants hostage. Surrounded by miles of desert, the patrons and staff are forced to sit tight with Mantee and his gang overnight.
Widowed Welsh mother Anna Loenowens becomes a governess and English tutor to the wives and many children of the stubborn King Mongkut of Siam. Anna and the King have a clash of personalities as she works to teach the royal family about the English language, customs and etiquette, and rushes to prepare a party for a group of European diplomats who must change their opinions about the King.
Lewis and Clark, aka The Sunshine Boys, were famous comedians during the vaudeville era, but off-stage they couldn't stand each other and haven't spoken in over 20 years of retirement. Willy Clark's nephew is the producer of a TV variety show that wants to feature a reunion of this classic duo. It is up to him to try to get the Sunshine Boys back together again.
Cavalryman Kalle Kollola makes a fool of himself in order to get by with less service during his time in the army. Aunt Loviisa, who has come to see him, urges her witty but lazy cousin to straighten up. Aunt Loviisa also helps Miss Hilja Aro settle her differences with the horse master Kalpa.
Mame Dennis, a progressive and independent woman of the 1920s, is left to care for her nephew Patrick after his wealthy father dies. Conflict ensues when the executor of the father's estate objects to the aunt's lifestyle and tries to force her to send Patrick to prep school.
When a big TV crusader Melvin P. Thorpe threatens to expose the Chicken Ranch to public scandal and close it down, Miss Mona doesn't go down without a fight.
The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.
Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".
