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Documentary about Hollywood stars, paparazzis and professional photographers.

The celebrities who visited Luisita Escarria's photo studio in Buenos Aires for decades are countless. Sol, a young photographer, discovers there more than 25,000 unpublished negatives, an archive of incalculable value that opens a window through which to look at the true artistic epicenter of Argentinean popular culture…

A reckless joyride into the darkest corners of popular music that delves deep into the mind of Mick Rock, the genius photographer who immortalized the seventies and the rise to rock stardom of many legendary musicians.

What we know today about many famous musicians, politicians, and actresses is due to the famous work of photographer Harry Benson. He captured vibrant and intimate photos of the most famous band in history;The Beatles. His extensive portfolio grew to include iconic photos of Muhammad Ali, Michael Jackson, and Dr. Martin Luther King. His wide-ranging work has appeared in publications including Life, Vanity Fair and The New Yorker. Benson, now 86, is still taking photos and has no intentions of stopping.

From Vogue magazine fashion photographer to filmmaker, painter and sculptor, Bailey is the working-class Londoner who befriended the stars, married his muses (Jean Shrimpton, Catherine Deneuve, Marie Helvin) and captures the spirit and elegance of his times with his refreshingly simple approach and razor-sharp eye. He is also the man whose life and work inspired one of the cult movies of the sixties, Michelangelo Antonioni's Blow-Up, and who has constantly travelled the globe either with the most beautiful models or chronicling the contemporary reality of Papua New Guinea, Brazil, Vietnam, Afghanistan and other countries with ground-breaking reportages. Above all, Bailey is a romantic with a delightful sense of humour approaching his 73rd year and showing no sign of slowing up. Director Jérôme de Missolz has created an engaging portrait of this very private man who bared the soul of the swinging sixties and seventies with his photographs and films.

Colleagues and relatives reflect on the dynamic life of Irish writer Brendan Behan, beginning with his adolescent years as an activist and his affiliation with the IRA youth group, Fianna Éireann. Behan rises to fame as a poet and playwright and achieves international success in the wake of his successful autobiography, "Borstal Boy." But in his later years, Behan's prominence wanes as alcoholism, egotistical tendencies and a growing obsession with celebrity begin to overtake him.

The fourth generation in his family to be born intersex, Jewish Rabbi Levi was assigned the female gender at birth and grew up thinking he was sick and defective. "In the Image of God" tells the story of his struggles and transitions, culminating today in a life as a religious leader and an LGBTQI+ activist living happily in Los Angeles with his wife.

This American Experience tells Whitman's life story, from his working-class childhood in Long Island, to his years as a newspaper reporter in Brooklyn when he struggled to support his impoverished family, then to his reckless pursuit of the attention and affection he craved for his work, to his death in 1892.

This is the story of a group of 514 prisoners of war from the Bataan Death March and how they were rescued near the end of the war. The reason this was so important is that the Japanese high command was ordering the execution of all prisoners when it appeared that the camps were soon to be liberated. So, in the case of this camp, it meant a covert operation well behind enemy lines in order to get to the guys before it was too late. The episode consists of many, many interviews-including several living POWs, a Philippino partisan, members of the assault team, their second in command and some historians.

"Electric Mole" is a concert film that documents Sheena Ringo's nationwide "Sugoroku Xstasy" tour in the summer of 2003. It marks the start of Sheena's band, Tokyo Jihen (albeit only as a backing band for Sheena at the time.)

During the darkest days of the Depression when construction was started on Grand Coulee Dam, everything about it was described in superlatives. It would be the "Biggest Thing on Earth," the salvation of the common man, a dam and irrigation project that would make the desert bloom, a source of cheap power that would boost an entire region of the country. Of the many public works projects of the New Deal, Grand Coulee Dam loomed largest in America's imagination, promising to fulfill President Franklin Roosevelt's vision for a "planned promised land" where hard-working farm families would finally be free from the drought and dislocation caused by the elements.