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Filmmaker Steve York explores the controversial 2004 Ukrainian presidential election, during which candidate Viktor Yushchenko suffered a near-fatal poisoning and his unpopular opponent, Viktor Yanukovych, was declared the winner. In the aftermath, more than a million people - including the ailing Yushchenko - took to the streets of Kiev, protesting the results that contradicted exit polls showing Yushchenko with an impressive lead.
Tells the story of the tragic events in Ukraine in 1932-33, the genocidal Great Famine or the Holodomor, and one Welshman's attempts to tell the world what was happening.
Makariv is a small village near Kyiv. In February and March, there were battles here as the Russian army was on its way to Kyiv. Many buildings were damaged by shelling, including the local fire station. Volunteers from the organisation Building Ukraine Together set up a camp to help the firefighters restore the building. They woke up, did exercises, had breakfast and repairs, and in the evening shared their experiences and their own stories. Artem's friend was killed in Tokmak in the first days of the war, Ira witnessed the death of her family in Irpin, Dasha's father is in the Ukrainian army, Yura left the camp early because he went to the funeral of his friend who died at the front. These stories are much deeper than they seem. Find out more about youth and war, about repairing without experience and a summer camp in a bombed-out village in the documentary story by Suspilne Culture.
To travel all over Ukraine, collect 25 casts of Ukrainian girls' bodies and make a sculpture out of them for Independence Day. Ceramist Slavik Pasynok spent the summer creating his project ‘The One’. To do this, he made a cast of a certain part of a girl's body in each region. He formed a sculpture from the casts, and the UA: Culture team filmed the process. Is it possible to assemble something unified from different parts?
The artists Zhanna Kadyrova and Denys Ruban spent two weeks in the basement of their house, fleeing from the rocket attacks and sabotage groups of the occupiers that were flooding the outskirts of Kyiv at the time, and then decided to evacuate to western Ukraine. Local residents of one of the Zakarpattia villages sheltered them in a picturesque house on a hillside, next to a river. Doing what you know and love for the benefit of Ukraine is the best thing an artist can do in times of war. This is how the Palianytsia project was born - a series of objects made of stones cut by a mountain river. Zhanna sells them to patrons and galleries and uses the proceeds to buy bulletproof vests, radios, thermal imagers and other things our soldiers need. Before she sends her ‘loaves’ to Venice for the Biennale, Zhanna holds an exhibition in the village where she now lives, so that the people who have taken her in can be the first to see her art.
A year ago, on 29 December 2019, prisoners were exchanged with the self-proclaimed ‘LPR’ and ‘DPR’. Among the Ukrainians who returned home were journalist Stanislav Aseyev, tanker Bohdan Pantiushenko, and human rights activist Andriy Yarovoi. Four months earlier, on 7 September, Crimeans Oleg Sentsov and Oleksandr Kolchenko were released from Russian colonies. We spoke to the former prisoners about their first year of freedom.
Conservative Rabbi Marc Soloway invites us on his personal journey to modern day Ukraine to visit the graves of the Hasidic Masters as he tries to establish a connection with the famous names that have so long occupied a place in his imagination.
Nazi troops massacre 30,000 Jews over a three-day period in September 1941. Babyn Yar ravine in Kyiv, Ukraine.
Against the backdrop of historical events, from the time of Kyivan Rus' until the arrival of the Ecumenical Patriarch Bartholomew in Ukraine, the film deals with the history of the construction, flourishing, destruction and revival of the Mykhailivskyi Golden-Domed Monastery over 900 years, as well as the difficult history of the struggle for independence of Ukraine. the church that continues to this day.
A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.