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The interesting topic for this film just about gives it enough steam to sustain the almost two hours of screen time. Jean Simmons ("Mary") is suffering from a long-term ennui with husband "Fred" (John Forsythe) and after trying drink and drugs to stimulate her existence, she absconds to the Bahamas (pawning her watch to fund this) on the evening of their wedding anniversary. It's on the plane that she encounters old friend "Flo" (Shirley Jones) and her pal "Sam" (Lloyd Bridges) and upon arrival they take the now penniless "Mary" in charge. It doesn't take long for the disillusioned lady to start to release that the grass is never really any greener, but her time in this idyllic location does allow her to recalibrate her priorities and sense of self (as well as to evaluate how her own life bears comparison with those of her friends). Simmons reminded me a little of Liz Taylor in this film. She has a confidence to portray a middle aged woman with demons and doubts; flawed and envious but kind and lonely too. Jones is good, also, as the friend whose life adds up to little more than series of relationships with wealthy men who have delivered fun and luxury, but little of substance. It falls to Bobby Darin's ("Franco") to finally help the penny to drop. Sadly, the film also focusses on the other half of this partnership a little too much, as Forsythe just had no weight as actor. Sure he was debonaire and had a certain class about him, but even at his ostensibly most impassioned in this film, his characterisation of the loving husband was more akin to that of a caring doctor. There was nothing remotely visceral about his effort, and that - I felt - really compromised the overall value of the film. Lloyd Bridges was never my favourite actor either, and here he contributes little of value by way of a foil to the kindly but selfish Jones. Plenty for us to get our teeth into, with a good strong story (though I didn't much like the ending) directed with a pace that suited the star. The dialogue is wordy, and sometimes a little melodramatic, but it is still a vehicle for fans of Jean Simmons to enjoy. Could have been much better, though.
A portrayal of the early Latter-day Saints' joys, sacrifices, hopes, and trials; their epic journey to the Salt Lake Valley; and their legacy of faith in Jesus Christ.
Kishanlal marries the beautiful Lachchi, but the day after the wedding, he leaves on business for five years. When Kishanlal reappears only a few days later, Lachchi is delighted, but this new Kishanlal is in fact a spirit who has taken the form of Lachchi's husband, after having seen her by chance and fallen in love with her. Four years later, the real Kishanlal returns and the townsfolk must determine who is who.
The discovery of a corpse and the ensuing probe by an idealistic journalist threatens to unravel a bumbling local politician's campaign for governor of Colorado.
18th century English aristocrat Sir Percy Blakeney leads a double life. He appears to be merely the effete aristocrat, but in reality is part of an underground effort to free French nobles from Robespierre's Reign of Terror.
Gifted Hands: The Ben Carson Story is a movie based on the life story of world-renowned neurosurgeon Ben Carson from 1961 to 1987.
Esther Blodgett is just another starry-eyed farm kid trying to break into the movies. Waitressing at a Hollywood party, she catches the eye of her idol Norman Maine, is sent for a screen test, and before long attains stardom as newly minted Vicki Lester. She and Norman marry, though his career soon dwindles to nothing due to his chronic alcoholism.
Milan, a Slovak working in Germany as a bricklayer, returns home to celebrate Christmas with his wife and three children, one of whom appears to be involved in suspicious activities related to an extremist organization.
When a husband and wife move to a small town, a home invasion leaves the wife traumatized and suspicious that those around her might not be who they seem.
An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.
Spanning years of both Harry and Leona Helmsley's cutthroat control of their eponymonous empire, this made-for-TV movie chronicles both the high and low points of the couple's life together.