Unter Denkmalschutz

A BAFTA award nominated documentary intended for secondary schools exploring the three distinct geographical regions of Germany from a British perspective.

Dessau, largely destroyed during the war and characterized by emigration since reunification, is demographically one of the oldest cities in Europe. A portrait from two perspectives of its young inhabitants.

Documentary about Kurt Landauer, the long-time Jewish president of FC Bayern München, who led the club to its first German championship, was persecuted and forced out of office by the Nazis, and rebuilt the club after the war.

The Neiger family was living a peaceful life in the Jewish community in Krakow when the arrival of World War II changed their lives forever. When Nazi soldiers forced the family from their home into the harsh life of the Ghetto, they made a vow to escape as a family. But when circumstances forced the family to separate from older brother Ben, their will to survive was put to the test. They Survived Together" is the incredible, true story of one family as they desperately tried to stay alive... and together as a family with four small children, attempted to escape certain death at the hands of the Nazis. They are believed to be one of the only families to escape and survive as a family.

In El Salvador, Chelino tells about the indigenous massacre of 1932, of which he survived, while he teaches the melodies of traditional Salvadoran dances.

In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.

Shot in Munich just a few weeks after it was taken by the American troops on April 30, 1945.

Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.

Bas Jan Ader's first fall film shows him seated on a chair, tumbling from the roof of his two-storey house in the Inland Empire.

In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?

Some people grapple with the moral challenges of treating human beings decently. Others are just… assholes. Inspired by Aaron James’ New York Times bestseller of the same name, this documentary investigates the breeding grounds of contemporary ‘asshole culture’ — and locates signs of civility in an otherwise rude and nasty universe. Venturing into predominantly male domain, this film moves from Ivy League frat clubs to the bratty princedoms of Silicon Valley and the bear pits of international finance. Why do assholes thrive in certain environments? What explains their perverse appeal? And how do they keep getting elected?