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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
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Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
1998's attempted Saturday Night Live skit-to-movie adaptation is not so much a movie, but more like just a short, 81 minute series of skits that are almost completely right out of the show, so it's more like just watching a greatest hit's collection of the skits from the Saturday Night Live television show from the 90's. But, while this movie is definitely far from even being very good, it is still a fairly decent movie, and while it is so short, it actually manages to have some very funny scenes with Will Ferrell and Chris Kattan that are also definitely reminiscent of some of the SNL skits funniest moments. But, despite the PG-13 Rating, this movie is not appropriate for young kids or even most teen's: There is frequent crude and sexual humor with three very graphic but somewhat comical sex scenes that actually fairly much push the limit for the PG-13 rating. Also, there is some infrequent profanity with at least one useof the F-word. Finally, there is a extremely brief and subtle drug reference near the beginning of the movie that only older audiences watching the movie will get. So, it may not be a great comedy, or even a terribly memorable one, but it still makes you laugh while it's going.
One to file under: 'Better than it had any right to be'. For the most part whilst watching, I felt quite nonplussed by everything about 'A Night at the Roxbury' - it was neither pleasing or annoying me. By its conclusion, however, I actually felt like I enjoyed it. I feel like I should've disliked it, but the opposite is more true to be honest. Some of the humour lands, some of it doesn't - those dancing head nods, for example, are amusing, but the film seriously overuses it. I assume that's a carryover from the 'Saturday Night Live' sketch that this is based upon. Haddaway's 'What Is Love' is also overplayed throughout, though with that I actually felt the use was fitting - the music overall is good, to be fair. Will Ferrell and Chris Kattan make for a positive pairing, with Ferrell narrowly being the standout of the two - as you'd expect, I guess. Molly Shannon does well, as do Dan Hedaya and Richard Grieco. There are also a few interesting minor cast members, from Michael Clarke Duncan to Eva Mendes to Jennifer Coolidge. Just about 7/10, but 7/10 all the same.
When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.
Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was - and falls for him.
Three young boys pool their money and pay V, a kindhearted prostitute, to strip for them. Afterward, she drives them home to the suburbs - but then her car breaks down. It's just as well, though, because a mobster named Waltzer is after her, and V realizes the suburbs are the perfect place to hide. But things get a lot more complicated when V falls in love with Tom, a single father who is unaware of her real profession.
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
'Sugar' Ray is the owner of an illegal casino and must contend with the pressure of vicious gangsters and corrupt police who want to see him go out of business. In the world of organised crime and police corruption in the 1920s, any dastardly trick is fair.
A supermarket clerk decides to step in for an absent drug dealer, setting off an explosive, comedic chain of events.
Seymour Krelborn is a nerdy orphan working at Mushnik's; a flower shop in urban Skid Row. He harbors a crush on fellow co-worker, Audrey Fulquard, and is berated by Mr. Mushnik daily. One day, Seymour finds a very mysterious unidentified plant which he calls Audrey II. The plant seems to have a craving for blood and soon begins to sing for his supper.
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman.
A neurotic film critic obsessed with the movie Casablanca (1942) attempts to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.
Yvonne, daughter of Philibert, a Paris cafe owner, is in love with dreamy, blundering Albert, a waiter, though he pays little attention to her. Philibert plans to marry his daughter to a wealthy Parisian, but upon learning that Albert is to come into a large inheritance, he conspires to place him under a longterm contract, confident that he willingly will pay a forfeit to break it.
A coming-of-age story set in Germany in the 1960s. Siggi becomes involved in a love triangle when he falls for Luise, but the tightening political climate forces him to make a fateful decision.