ある色魔の告白　色欲の果て

When retired racket boss John Sarto tries to reclaim his place and former friends try to kill him, he finds solace in a monastery and reinvents himself as a pious monk.

Frustrated when network brass reject his sitcom idea, producer Pierre Delacroix pitches the worst idea he can think of in an attempt to get fired: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.

Two strangers meet on a bridge where they have both come to commit suicide.

Average Texas teen, Billie Jean Davy, is caught up in an odd fight for justice. She is usually followed and harrased around by local boys, who, one day, decide to trash her brother's scooter for fun. The boys' father refuses to pay them back the price of the scooter. The fight for "fair is fair" takes the teens around the state and produces an unlikely hero.

Üç tekerlekli bisiklet (Tricycle aka The Three-Wheeled Bicycle, I962) is a love story about a lonely woman with a small child and the man she hides in her house, who is chased and trapped, one of the staple motifs of Lutfi Akad’s cinema.

Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after fickle Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and his manager.

Tatsuya Ichihashi kills a British woman who taught English in Japan. Ichihashi escapes the police dragnet to Aomori, 550 kilometres away. Learning that he is wanted by the law, he cuts his own lips to change his features. Burdened by guilt, he continues to avoid the law enforcement. He travels 1000 kilometres to Shikoku to participate in a pilgrimage in hope of resurrecting his murder victim. Obviously it fails and he remains a fugitive. As if to escape his own guilt he changes his identity and has cosmetic surgery to further alter his features. He works at construction sites and when people get suspicious of him he flees to a far-off island in Okinawa where he relies on survival skills.

In 1979 Toei president Shigeru Okada saw the future. More precisely, he saw Walter Hill's The Warriors in the US prior to its Japanese opening. Okada rushed back to make his own version. "Towards the 80! Our era! Now filming!" the trailer exclaimed. The plot is roughly the same as in The Warriors except this time the chased gang has to make it from Kobe to Tokyo and the leader's got the enemy's sister handcuffed to him. Hardly great cinema, but undeniably entertaining with frantic pacing, loads of music and even a massive roller blade street chase! As a vision of future, it wasn't too far off if the future was defined as 80s rock, bad fashion and comic book films.

Brother and sister Enrique and Rosa flee persecution at home in Guatemala and journey north, through Mexico and on to the United States, with the dream of starting a new life.

Gabby, the waitress in an isolated Arizona diner, dreams of a bigger and better life. One day penniless intellectual Alan drifts into the joint and the two strike up a rapport. Soon enough, notorious killer Duke Mantee takes the diner's inhabitants hostage. Surrounded by miles of desert, the patrons and staff are forced to sit tight with Mantee and his gang overnight.

Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up to something big, so he tells his wife (Carol McCoy) to tell him that he's for sale if Benyon can get him out of prison. Benyon pulls some strings and Doc McCoy is released again. Unfortunately he has to cooperate with the same person that got him to prison.