Vampire of the Desert

Animals on a farm lead a revolution against the farmers to put their destiny in their own hands. However this revolution eats their own children and they cannot avoid corruption.

An old farmer struggles to take care of his rundown farm alone, when a stranger appears and uninvited begins to help him.

An invitation to enter the soul of an artist - director Erick Ifergan - through a highly personal retelling of the Orpheus tale suffused with Ifergan's striking paintings, sculpture and conceptual photography.

A fable of five vastly separate inner-city lives who struggle against their limitations in an interlocking tale assembled by a dark orchestrator.

A young inexperienced man rekindles his emotional and intimate relationship with his only love–his charming, and talking, childhood teddy bear.

A celebrity petroleum engineer discovers a rundown property in Park City.

Yasha recently retired after serving many years at a factory, with a highlight of his career being a delegate of the Communist Party of the Soviet Union in 1976. Yet his future is left unknown when he emerges in new realities that he finds difficult to accept. The world has changed after the collapse of the Soviet Union, yet he tries to hold on to what once was. Thus enters former Soviet leader Leonid Brezhnev. Appearing like Yasha’s alter ego, he guides Yasha, giving amusing commentary and voicing what Yasha should say or do. Brezhnev’s presence gives way for more historical leaders that Yasha idolises to arrive. Nicolae and Elena Ceausescu, Fidel Castro and Che Guevara, Josip Broz Tito and Erich Honecker, and even the African dictator Jean Bedel-Bokassa all make an appearance! When Yasha takes an oath of loyalty to them, this creates trouble for his family.

A dark re-telling of the classic fable 'Little Red Riding Hood' set in the Canadian prairies during the Great Depression.

Susanna is the CCP Secretary when Xi Jinping asks Susanna to send some financial aid. But she messes up and makes a VERY BAD MISTAKE! (That is financially related)

This short film shows an encounter, through a series of games, between a street child from the shantytowns and a child of a rich family, stationed at his window. The film has no dialogue and the action moves through the attempts at one-upmanship evident in their successive display of their toys. Their rivalry (a kite shot down by a toy rifle, for example) concludes with the opposition between the world of noise (the toys inside the house) and that of music (the street child's flute). Preserved by the Academy Film Archive in 2006.