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Scam Goddess - (Jan 30th)
The Ingraham Angle - (Jan 30th)
The Five - (Jan 30th)
Special Report with Bret Baier - (Jan 30th)
Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
All Elite Wrestling- Dynamite - (Jan 30th)
The Thundermans- Undercover - (Jan 30th)
Expedition Bigfoot - (Jan 30th)
Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
School Spirits - (Jan 30th)
The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Chicago Med - (Jan 30th)
Chicago Fire - (Jan 30th)
The Rachel Maddow Show - (Jan 30th)
Guys Grocery Games - (Jan 30th)
Someday at a Place in the Sun - (Jan 30th)
Kirstie And Phils Love It Or List It - (Jan 30th)
**Staggeringly awful.** Fails to be scary. Fails to be amusing. Terrible acting. This comes across as a fan film made by a struggling theatre troupe manned by amateurs. This excitable bunch of talent free people decide it would be fun to _galavant_ around Paris wearing a phoney throat also. They are keen, I'll give them that but it's just that they are in a stinker of fan video proportions. The joy they take in appearing out of thin air with their torn throats reminded me of an episode of Randall and Hopkirk Deceased. Light and frothy - with no menace or air of unease present. Now you see him - now you don't! _This is pantomime stuff._ A disgrace to John Landis' classic this thing is. The whole production is cable movie quality. SYFY channel stuff, right here. If Landis were dead, he would be spinning in his grave. - Charles Dance
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
Jwala Prasad is to marry the girl of his dreams. On the day of the marriage, she is dressed all in red, as is the tradition in India. Just before the wedding she slips off to meet her real lover. When Jwala finds out, be is so enraged at he turns into a monster and kills both the to-be bride and her male friend. The saga does not end here, and this monster continues to terrorize the region, first abducting brides dressed in red just before the wedding procession stops at a Mandir (temple).
An eccentric elderly couple are overcome with grief and vow to never eat pizza again after their young son was run down by a delivery driver decades prior. When a new establishment Pizza Heaven rolls into town, they take revenge!
Buck Boswell and his all-girl troupe are stranded in Paris, but Buck manages to con the manager of the 'Hotel de Navarre' in furnishing accommodations for his group, but the proprietor's wife locks them out. In his search for funds, Buck meets Patricia Harper, the fourth-richest girl in the world, but he isn't aware of that and thinks she is penniless. Patricia joins his troupe as a lark, and her father, James Harper, also pretends he is broke. Through some chicanery, Buck gets jobs for the girls as models at the Palace of Feminine Arts at the Paris International Exposition. James Harper borrows the priceless Napoleaon necklace to have a copy made for his daughter, but Buck thinks he stole it.
An agoraphobic psychologist and a female detective must work together to take down a serial killer who copies serial killers from the past.