Los Hombres

Yoon-il and Jinwoo attend to the funeral of Seong-gyu, who committed suicide. The funeral parlor is crowded, and Yoon-il can't endure the strange noises that Hyeon-jin makes.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

Tano is 16-years-old and is already sitting in jail. In 48 hours he’s a free man and off to the wedding of his brother. In the two days he recounts his neighborhood in a section of Sevilla.

Touko Laaksonen, a decorated officer, returns home after a harrowing and heroic experience serving his country in World War II, but life in Finland during peacetime proves equally distressing. He finds peace-time Helsinki rampant with persecution of the homosexual and men around him even being pressured to marry women and have children. Touko finds refuge in his liberating art, specialising in homoerotic drawings of muscular men, free of inhibitions. His work – made famous by his signature ‘Tom of Finland’ – became the emblem of a generation of men and fanned the flames of a gay revolution.

Mitsuomi Kozuka quits his job due to his boss. He decides to return to his hometown for the first time in 10 years. The town is located in the countryside. There, Mitsuomi Kozuka meets Yamato Kumai. Yamato Kumai is the stepson of old man Kumai. The old man runs a farm near the home of Mitsuomi Kozuka's parents.

The first volume in a collection of gay shorts from the four corners of the world that will set your pulse racing. From the intense effects of first love, to a deliciously campy tale of a camping trip gone horribly wrong. This collection includes: The End of My World [Mój koniec świata] (2017), The Surf Report (2016), It Gets Better? (2016), and Killer Friends (2017).

The Robert Mapplethorpe documentary, from 1988-one year before he died-is an excellent examination of one of the most controversial of American photographers. British documentarian Nigel Finch does an outstanding job fusing interviews with Mr. Mapplethorpe himself, with critic and author Edmund White, and with several of Mapplethorpe's subjects as well, with numerous shots of the man's work. Mapplethorpe, gay, did not hesitate to photograph what he wanted to without fear of reprisal or censorship. Indeed, a good number of his pieces were not shown in the documentary at its original airing on PBS with the comment, "Considered Unsuitable for Viewing On This Transmission." His openly sexual work can at times be more than shocking, but it is always powerful and direct; as critic Lynn Davies says in the documentary, he did not pose people but photographed them doing what they would normally do in the course of their lives.

A novelist travels to the country to learn the problems of a friend's shy son and runs into an intruder.

Ruben and Carlos become cellmates in a minimum-security prison. While Ruben struggles to learn the ropes of daily life and where he falls in the complex hierarchical prison system, Carlos becomes a mentor and then eventually a lover. The two men develop feelings for one another they can't easily express. As time moves on and one of them is released before the other, there are questions looming as to whether what they had was real or simply out of the need for human connection.

After a presidential decree that shuts off the Internet connection nationwide, two neighbours who have never met before but have an online relationship decide to leave the big city and try out a living in the real world.