The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
The Magicians Raincoat 2024 - Movies (Jan 18th)
Vindication Swim 2024 - Movies (Jan 18th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Every Little Thing 2024 - Movies (Jan 18th)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Boonie Bears Time Twist 2024 - Movies (Jan 17th)
Love Courage and the Battle of Bushy Run 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
The Sunday Show with Jonathan Capehart - (Jan 19th)
The Weakest Link - (Jan 19th)
Michael McIntyres Big Show - (Jan 19th)
GRAND SUMO Highlights - (Jan 19th)
The Masked Singer- AfterMask - (Jan 19th)
Love Island- All Stars - (Jan 18th)
Match of the Day - (Jan 18th)
The Masked Singer - (Jan 18th)
Gladiators - (Jan 18th)
Sarah Beenys New Life in the Country - (Jan 18th)
Saturday Kitchen Live - (Jan 18th)
The Katie Phang Show - (Jan 18th)
Alex Witt Reports - (Jan 18th)
Ainsleys Fantastic Flavours - (Jan 18th)
James Martins Saturday Morning - (Jan 18th)
The Thundermans- Undercover - (Jan 18th)
Wizards Beyond Waverly Place - (Jan 18th)
The Kitchen - (Jan 18th)
When the Stars Gossip - (Jan 18th)
Raw - (Jan 18th)
Home movies and their unique place in popular culture are the subject of My Father's Camera. Director Karen Shopsowitz weaves the history of home movies together with footage shot by her father-amateur filmmaker Israel Shopsowitz. Equipped with her dad's old Super 8 camera, Karen traces the history of home movies from the 1920s through to the amateur explosion of the '30s and '40s and beyond. She interviews a lively line-up of scholars and collectors, such as early members of the Toronto Film Club, a Japanese-American archivist who sees home movies as an expression of cultural diversity and a collector who hosts popular Webcasts that highlight new acquisitions.
Released from prison, former oil oligarch Mikhail Khodorkovsky expounds on his newfound freedom and complex relationship with Vladimir Putin.
Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
Join Kay Martinez as they explore the game development, character design, original soundtrack, and cultural movements that inspired SEGA's estranged masterpiece: Jet Set Radio Future.
A journey into the 1920s and 1930s featuring restored and edited home movies taken by Japanese American immigrant pioneers.
"Honey Hunters" is a life story of bees and people. In order to get to the bottom of the mysteries of the life of bees and show them to the audience, the camera enters a contemporary hive and a traditional wild beehive drilled in the trunk of an old tree. It wanders the forests in Poland and Ural, mountains in Nepal and... roofs of Paris and Warsaw. For millions years bees have been laboriously building the natural environment of our planet. These days, they started to die by millions. A programme of wild tree beekeeping reintroduction was launched in Polish forests. It has been an ancient local tradition. Maybe reaching for the past, the original model of coexistence of bees and people, for wild tree beekeeping, can help us to save the bees? After watching “Honey Hunters” everyone wants to have their own beehive and harvest their own honey!
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.