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Sense Surfing In "My Film with Andrei Or: How I Learned to Stop Worrying and Document a Sex Party" director Ayoto Ataraxia portrays a group of young people around Berlin's hedonistic bubble and sex-positive movement, who are about to organize an orgy on the occasion of their friend Andrei's birthday. Shot between two lockdowns in the socially cautious summer of 2021, we observe Andrei, Raoul, Fabian, Charlotte, Jenny, Mathilde - and often also the author himself - hanging in their shared kitchens, bedrooms and mobile homes, fooling around at small festivals in the green surroundings of the city and strolling on the expanses of Tempelhofer Feld. To be blunt, the orgy does not take place - at least not in this film. Ataraxia's view of the confusion and forlornness of its protoganists is postcoital and marked by melancholy and desperation that sometimes turns into cynicism. Its heroines are both dramatic and banal, opulent and cheap, just like the cell phone cameras with which the whole film was shot. Despite or perhaps, because of the simplicity of the technique and stylistic means, the author succeeds again and again in creating powerful and vivid images that often tell more than the strained and often seemingly endless monologues of the protagonists. Ataraxia offers them a welcome stage on which they present unfiltered reflections on love, life, the general state of humanity and, in particular, their specific situation of young males in a post-feminist, neoliberal Europe, devastated by the plague. Amorous relationships, sexual constellations, orgasm frequencies, party locations, as well as various life styles models are discussed in detail. The young men who mostly conduct these monologues are both touching and disturbing. They are beyond conventional masculinity, yet still enjoy all of its privileges. Handsome, educated and financially independent thanks to Bitcoin and digital nomadism they struggle between narcissism and nihilism, between hope and fear. They are of system-compatible flexibility and availability, although at the same time they cultivate the attitude of rebels and dropouts. But the achievements of emancipation, such as the company of financially and emotionally independent companions and seemingly unlimited sexual freedom, also seem to have made them losers, at once liberating and robbing them of sense and sensuality, reducing them to find meaning - and childlike pleasure - in counting orgasms. With this generation, the patriarchy is certainly drowning, but there is still no promised land in sight. The most touching moments in the film are the question marks at the end of the sentences, the moments of silence and pause, often accompanied by somber string sounds. (Also created on Ataraxia's laptop. who also draws as a musician and composer). In these uncertainties and instabilities lies the power of the film, showing Ataraxia's high art of endurance and compassion, his affection and tenderness for a masculinity in the process of detoxification, a masculinity that has lost and must eventually pass away. Felix Ruckert / January 22
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
They are known as "shock activists", surprising again and again with radical-provocative, often illegal art actions. Up-close insights into the work of the artist collective and the Berlin graffiti scene.
Richard Heart embarks on a groundbreaking mission to revolutionize the world of finance. Fueled by his unwavering belief in the potential of blockchain technology. Heart sets out to create a game-changing network called PulseChain…, only to be indicted by the SEC!
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
Follows the 1936 Berlin Olympics when Black athlete Jesse Owens won 4 golds against the backdrop of Hitler's racist Nazi regime in Germany.
6 people researching & experimenting for empowerment in their sexuality – which actions are tempting & helpful to deconstruct shame and be more self-confident?
A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.
The film tells the story of Blood Incantation’s time in Berlin during the summer of 2023, recording “Absolute Elsewhere” at the legendary Hansa Studios.
A tale of ambition, greed and speculation on the art world’s digital frontier, as a get-rich-quick scheme spirals out of control. Told by those at the heart of the drama.