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Micro-budget, half-baked monster twaddle RELEASED IN 2012 and written/directed by Jason Horton, "Monsters in the Woods" is a micro-budget flick (costing a mere $30,000) about – you guessed it – monsters in the woods of Southern California that an indie film crew experience while shooting a B-horror flick. I like the diverse ethnic cast, which is refreshing, but the shaky, sometimes unfocused, cam gets tedious after a while. There are a few good-looking women. I also like the monsters, which are half-spider/half-human and impressively diabolic all things considered (it’s eventually explained WHY they’re so diabolic-looking). The first act is quite amusing as it parodies the trials & tribulations of a B-horror shoot in the sticks. Near the end of the first act, however, one of the main protagonists abruptly buys the farm and the reaction of the cast & crew is unconvincing but, then, I guess it’s supposed to be a joke anyway. The second act introduces two curious characters with head-scratching dialogue but, thankfully, the cool monsters are also introduced. Unfortunately, the proceedings and characters are dull and confusing as written and executed. Things finally perk up in the last act with revelations about what's really going on, but it can't save the flick from being what it is: half-baked. There's enough good here for a quality monster-in-the-woods horror movie, but Jason Horton needed to take the time to work the kinks out in the story/script, specifically in the second and final acts. George Romero did this with his original "Night of the Living Dead" (1968) and it remains a selling masterpiece to this day. The lesson? Don't rush off into the woods to shoot a horror flick with cast & crew, low-budget or not, UNTIL you have a well-written, comprehensible story with interesting characters. Otherwise you're just wasting your time and the time of anyone who might view your work. THE MOVIE RUNS 84 minutes and was shot in Fawnskin, San Bernardino National Forest (exteriors) and Malibu, California. GRADE: C-/D+
Set in 1987, a group of filmmakers venture into the California wilderness to film a shot on video slasher movie and soon find themselves systematically crippled, butchered and devoured by a family of feral cannibals.
Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
The grandchildren and their siblings take pictures of their grandmother's old house with a curious look. Don't touch it, which lies in the back of the house. The strange object "fornicating serpentine" that runs after the video of a mountain circle playfully playing with a shrine. A woman stares at a video of young men in swimsuits enjoying leisure at the water's edge, "Obon Sea," and six others. A number of dramatic and frightening videos are included.
Four teens document their night on camera as they visit an old, abandoned house that, in recent years, has caused people to go missing as well as played host to other strange occurrences. They soon realise that the secluded house is more than what it seems.
When a deadly religious cult begins weaponizing demonic entities, it's up to a band of church funded mercenaries to take them down before they unleash Hell on Earth. When word of a Fallen Angel reaches the team, the stakes are raised and the fate of humanity rests on the shoulders of one man: Ghost.
Later released on DVD, Kamen Rider Kiva: Final Stage is the final stage show and cast talk show of Kamen Rider Kiva. Recorded January 31st, 2009 at Nakano Sunplaza Hall.
A hunter travels through the Norwegian wilderness to track down a creature meddling with time.
A documentary film crew investigate a series of brutal killings known as the Black Water murders. As they dwelve deeper into the story, they stumble upon a horrifying secret. One they may not survive.
An enthusiastic lecturer and her student travel to Europe to go after the mythology of the Mothman, but they soon have to fight for survival.
A movie version of the original video psychic documentary series that explores the relationship between the allegedly disaster-causing footage and the death of a man who saw it. On the morning of July 22, 2002, a body was discovered in an alley behind a busy Tokyo street. Although the police were able to identify the corpse as Hara, a man in his thirties, they were unable to discover any cause of death and foul play has been ruled out.