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Micro-budget, half-baked monster twaddle RELEASED IN 2012 and written/directed by Jason Horton, "Monsters in the Woods" is a micro-budget flick (costing a mere $30,000) about – you guessed it – monsters in the woods of Southern California that an indie film crew experience while shooting a B-horror flick. I like the diverse ethnic cast, which is refreshing, but the shaky, sometimes unfocused, cam gets tedious after a while. There are a few good-looking women. I also like the monsters, which are half-spider/half-human and impressively diabolic all things considered (it’s eventually explained WHY they’re so diabolic-looking). The first act is quite amusing as it parodies the trials & tribulations of a B-horror shoot in the sticks. Near the end of the first act, however, one of the main protagonists abruptly buys the farm and the reaction of the cast & crew is unconvincing but, then, I guess it’s supposed to be a joke anyway. The second act introduces two curious characters with head-scratching dialogue but, thankfully, the cool monsters are also introduced. Unfortunately, the proceedings and characters are dull and confusing as written and executed. Things finally perk up in the last act with revelations about what's really going on, but it can't save the flick from being what it is: half-baked. There's enough good here for a quality monster-in-the-woods horror movie, but Jason Horton needed to take the time to work the kinks out in the story/script, specifically in the second and final acts. George Romero did this with his original "Night of the Living Dead" (1968) and it remains a selling masterpiece to this day. The lesson? Don't rush off into the woods to shoot a horror flick with cast & crew, low-budget or not, UNTIL you have a well-written, comprehensible story with interesting characters. Otherwise you're just wasting your time and the time of anyone who might view your work. THE MOVIE RUNS 84 minutes and was shot in Fawnskin, San Bernardino National Forest (exteriors) and Malibu, California. GRADE: C-/D+
Two estranged friends attempt to shoot a feature film on a cross-country road trip. Along the way, they are abducted by a mysterious creature in the Appalachian mountains. The two must work together, despite their fractured friendship, to traverse the forest labyrinth and escape from the clutches of the creature.
An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.
The star of the hit series, The Haunting of Sunshine Girl, Sunshine embarks on a new adventure with her best pal, Nolan and a new sidekick Andrew. They head to Portland, Oregon in search of her favorite urban legend, Black Eyed Kids. Here they meet several witnesses who have seen BEK. This is a whole new adventure for the group and far from her normal ghostly adventures. Little does she know the BEK world is far more dangerous and evil than any of them could imagine. Will she make it out alive?
A single mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
This is not horror video. This video was created simply by filming inside my house.
In December 1993, a luxury condominium tower block collapse after ground erosion from the neighbouring hillside. About 50 people lost their lives and to this day has become one of the darkest and saddest tragic incidents in Malaysian history. Twenty years later in 2013, a group of documentary filmmakers venture into the remaining two blocks that is left standing to do a ghost hunting expedition. What they discovered is not for the faint-hearted.
Four friends on a road trip to Las Vegas become victims of an old Native American legend.
Moogai is Bundjalung for ‘ghost’, and it is precisely a moogai that intrudes on the quiet home life of Sarah, Fergus and their newborn baby.
