Treno di parole, viaggio nella poesia di Raffaello Baldini

Guy Debord's analysis of a consumer society.

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.

Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination

It took his whole life to live and three full years to film Chuck Leavell: The Tree Man. Filmed in four countries with more than 80 interviews from artists with a combined 58 Grammy Awards by the artist included, “Chuck Leavell: The Tree Man,” an Allen Farst film, is the cinematic documentary that shines a light on one of the greatest rock’n roll pianists and keyboardists over the last 40 years. Not just known for his musical influence, Leavell is also one of the biggest names in environmental forestry and was selected the National Tree Farmer of the Year in the United States. -His commitment to the planet and his strong family ties are refreshing reminders to be kind and treat your neighbor with respect. As Leavell puts it, “if you cut a tree down, plant two for the next guy.”

Every year, millions of Americans are incarcerated before even being convicted of a crime - all because they can't afford to post bail. How did we get here? “Trapped: Cash Bail in America” shines a light on our deeply flawed criminal justice system and the activists working to reform it. This new documentary explores the growing movement to end the inherent economic and racial inequalities of cash bail while highlighting victims impacted by an unjust system, the tireless campaigners fighting for criminal justice reform, and a bail industry lobbying to maintain the status quo.

The COVID-19 pandemic scars the citizens of Mexico City.

For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.

A new wave of Asian horror movie filmmakers is capturing the attention of film studios desperate for box office success. From Tokyo to Hong Kong and Bangkok to Seoul, this two-part documentary describes how Asian directors have successfully married the power of local myths and superstitions with cutting-edge filming techniques and innovative storytelling, producing some of the scariest moments in the history of cinema. True Asian Horror includes scenes from The Ring - the movie voted by cinemagoers around the world as the scariest movie ever - and modern horror classics such as The Eye and Phone. Sit back as the directors of these classic films reveal how they manage to frighten the life out of their audiences and hear film critics explain why Hollywood is terrified to turn its back on Asian moviemakers whose meteoric rise to the top has been just plain scary.

Pushed to his breaking point, a master welder in a small town at the foot of the Rocky Mountains quietly fortifies a bulldozer with 30 tons of concrete and steel and seeks to destroy those he believes have wronged him.