Finding Manny

Originally made with a German soundtrack for screening in occupied Germany and Austria, this film was the first documentary to show what the Allies found when they liberated the Nazi extermination camps: the survivors, the conditions, and the evidence of mass murder. The film includes accounts of the economic aspects of the camps' operation, the interrogation of captured camp personnel, and the enforced visits of the inhabitants of neighboring towns, who, along with the rest of their compatriots, are blamed for complicity in the Nazi crimes - one of the few such condemnations in the Allied war records.

'Veterans', focuses on WW2 veterans, once fighters in the Red Army and now uprooted immigrants, fighting for their place in society. These people, who experienced the twentieth century's bloodiest war as Soviet soldiers, immigrated to Israel after the collapse of the Soviet Union and found themselves in a society that is totally indifferent to their glorious past. The film offers a close and compassionate look at the veterans' lives, fueled by complexity, pain, and an almost silent insult, alongside joy and self-deprecating humor. The feeling of living on borrowed time drives the veterans to embark on what may be their last adventure.

They endured the death camps. They hid in remote farms. They fought as partisans in Polish forests. But when the war ended, the struggles of the Holocaust survivors were only just beginning. Destination Unknown paints a uniquely intimate portrait of survival, revealing pain that has never faded but hasn't crushed the human spirit.

This is the story of an incredible rise to power, the most comprehensive documentary on Hermann Goering ever made. He was a man of many faces: vain, ambitious, more brutal than any other of Hitler's minions, yet the most popular Nazi official of all, at times even more popular than Hitler himself. He embodied the jovial side of the Third Reich. Yet the same man who organised dissolute bacchanals also founded the Gestapo, set up the first concentration camps, and had his own comrades murdered in the purge of 1934. These unique personal records form the largest and most important single film find from the Nazi era in past years.

During World War II, 12 000 children were born to Norwegian mothers and German soldiers. In WARS DON’T END five of these children tell their stories about lives of discrimination and abuse stemming from the choices of their mothers and the actions of their fathers.

Das radikal Böse is a German-Austrian documentary that attempted to explore psychological processes and individual decision latitude "normal young men" in the German Einsatzgruppen of the Security Police and SD, which in 1941 during the Second World War as part of the Holocaust two million Jewish civilians shot dead in Eastern Europe.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.

A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.

While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.

French film and WWII historian Sylvie Lindeperg analyzes Alain Resnais's seminal 1956 film, "Night and Fog", and attempts to place it in the context of the historical treatment of WWII, and specifically of the Holocaust, in the decade following those harrowing events. Oddly, she argues that the images of Resnais's famous film are "powerless", in her words.