スマグラー おまえの未来を運べ

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.

After being excommunicated from the yakuza, Ginya Yabuki returns from the shadows as leader of his own crime syndicate known as the Tokyo Mafia.

Anzai, Mutoh, Hamada, Hagiwara, and Miru are in a car headed to a love hotel used by the Sugiyama Clan for money laundering. This one night only gang succeed in robbing them blind and though they were supposed to go their separate ways after splitting the money, the five end up being hunt down by a detective hired by the clan and clan members themselves. An ending nobody ever even dreamed of.

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

Narumi has decided to retire from the underworld society with which he has been involved for 20 years. He also informs his colleague and attends his final smuggled handgun deal. Suddenly, shows up and the client is shot to death accidentally. That client was an undercover police investigator, so Narumi is now facing a predicament.

Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.

The fifth and final chapter of the Kanto Street Peddlers series! Will the battle in Asakusa be enough for a complete victory?

Financially troubled, a newbie hitman reluctantly takes the job of finding the plotted killer of a Japanese tycoon.

Ryūichi and his small gang of Triad vie for control of the Japanese underworld in a crime-ridden Shinjuku quarter while Detective Jojima tries to bring it down.