Microcosmos : Le peuple de l'herbe

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

This short film reveals the inspiration, motivation and political challenges at San Francisco City Hall during the frantic days leading up to the first government-sanctioned same-sex marriage.

Explores humanity’s profound relationship with water and reveal how human agency can help rebalance the planet’s water systems

Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

The story of a fun-loving young woman from Leicestershire whose life was destroyed by an abusive relationship. Left with life-changing injuries, can Angel learn to live again?

Adventure. Challenge. The simple joy of riding the wind. The best kiteboard riders each have their own reasons for pursuing their sport to its uttermost limits, but they’re united in revealing its breathtaking beauty to the world.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Documentary about the making of Dune.

As the largest living terrestrial mammals, elephants are usually considered as survivors under even the most dire climatic conditions. But all too often, these majestic giants are killed illegally for their ivory tusks. So, every dead full-grown elephant, whose carcass or skeleton is found with the tusks still in it, is a symbol of paradise – an elephant allowed to die of natural causes instead of bullets, snares or poison.