Autopsie d'une intelligence artificielle

Meet the Raisins! spoofs musical documentaries with its use of anthropomorphic food characters. Through its historical perspective, the special also provided an opportunity to elaborate on the personalities and introduce names of the simple yet popular characters. It follows the California Raisins' humble beginnings, rise to musical success, fall from stardom, and eventual comeback. This includes "home movie" clips, scenes of the group's early days as the Vine-Yls, concert footage, and interviews with the people behind the success of the California Raisins including manager Rudy Begaman. The group is also shown performing various hit songs

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

This is Vol. 1 of god’s movie. A series of interviews and performances with the chosen few that came in contact with the late Joe Cole’s mighty video 8 camera. This video is as much about Joe as it is about the people that he filmed. Joe was able to make people feel comfortable enough to let themselves go in front of his lens. I used to watch the raw footage of Joe’s hours of interview footage culled from walking the streets of cities all over. I was constantly amazed at his ability to find these totally unique people. When you watch this you will see what I’m talking about. Reminds me of a quote I have heard over the years, something that amounts to those who can see it (in) others must have some of it in themselves.

A coming of age story following a young meerkat pup, Kolo, growing up in the Kalahari desert; and an inspiring look at how one family's connection to each other and their surroundings is a model of resilience and fortitude for us all. Shot using ground-breaking techniques, this dramatised documentary is a one-of-a-kind presentation from The Weinstein Company and the BBC, featuring narration by Paul Newman.

At its peak, The Black and White Minstrel Show was watched by a Saturday night audience of more than 20 million people. David Harewood goes on a mission to understand the roots of this strange, intensely problematic cultural form: where did the show come from, and what made it popular for so long? With the help of historians, actors and musicians, David uncovers how, at its core, blackface minstrelsy was simply an attempt to make racism into an art form - and can be traced back to a name and a date.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

Four unrelated moments following a young cat wandering the living room of her house.

Viva El Vedado presents the history of the Havana neighborhood of El Vedado from the last quarter of the 19th century through the Cuban Revolution and highlights its varied and outstanding architecture. Known as a cultural center of Havana, Vedado is particularly notable for its unique collection of Cuban architecture of the 20th century. The film’s goal is to introduce its audiences to the neighborhood’s remarkable architecture, its vibrant life, and the need for preserving Vedado as part of Havana’s heritage. It is a glimpse beyond tourist fantasies and stereotypes, a rare view of one of Havana’s most important neighborhoods.

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.